Goodnight Children Everywhere and Other PlaysTheatre Communications Group, 2015 M04 10 - 288 páginas Goodnight Children Everywhere New England Some Americans Abroad Two Shakespearean Actors Franny’s Way A prolific and varied writer, Richard Nelson is also the author of a screenplay, a television play, the books for musicals and plays for young audiences, as well as a string of radio plays and powerful adaptations from the classic European repertory of Beaumarchais, Brecht, Chekhov, Goldoni, Molière and Strindberg, all of which have influenced the development of his own craft. Among his many awards include the London Time Out Award, two OBIEs, two Giles Cooper awards and numerous grants and fellowships. He is an honorary associate of the Royal Shakespeare Company. |
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... listening. (Beat. To the others) Am I that hard to understand? (To Philip) If the point of protesting is simply to pressure negotiations. Fine. I understand this. This is not what I'm criticizing. (Finishes his wine) My point is the ...
... listening): I find it— Such weather. I don't know. Just bloody invigorating. One learns after all these years what the British see in their gardens. (Almost drops a teacup) KATIE: Mrs. Baldwin, you're sure I can't— HARRIET: Lamb House ...
... listening; looking through one of his books): I hadn't realized . . . HENRY: What? (Beat) Looks interesting, doesn't it? I figure if I'm teaching Milton I might as well—You know. JOE: That's quite admirable. (Pause.) HENRY: I love ...
... listening to Phil that it's the sixties all over again. (Laughs) PHILIP: Disinvestment has a point. JOE: Of course it has a point. I don't argue with that. It's your Pollyannaish hope that is so irritating! It's like he never learns ...
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