Goodnight Children Everywhere and Other PlaysTheatre Communications Group, 2015 M04 10 - 288 páginas Goodnight Children Everywhere New England Some Americans Abroad Two Shakespearean Actors Franny’s Way A prolific and varied writer, Richard Nelson is also the author of a screenplay, a television play, the books for musicals and plays for young audiences, as well as a string of radio plays and powerful adaptations from the classic European repertory of Beaumarchais, Brecht, Chekhov, Goldoni, Molière and Strindberg, all of which have influenced the development of his own craft. Among his many awards include the London Time Out Award, two OBIEs, two Giles Cooper awards and numerous grants and fellowships. He is an honorary associate of the Royal Shakespeare Company. |
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... heard in the hush and hubbub of New England. There are notable variations as well, including not one but two interlopers (the muchresented girlfriend and a diabolical French daughterinlaw who outNatashas Natasha), along with the ...
... heard— JOE: Buddy's argument is in favor of treating people like human beings. In this case the threat of death helps the prisoner. HENRY: You should write an article, Joe; you've got something that's publishable. JOE: Thank you. (To ...
... heard anything about this. JOE: Years and years ago, Harriet. The Dark Ages. (Beat. To Katie and Philip.) And I didn't get any faculty committee, I was arrested. By the police. (Beat) Mary was pregnant with Katie. Fifty dollars for bail ...
... shakes his head) (Short pause.) PHILIP (To Frankie): If you feel like it, Lamb House is just— HARRIET: No one ever lost their passport when we ran the trip. (Beat) What sort of girl is this one? ORSON: She's not Jewish. HARRIET: I heard.
... heard this, Orson. (Beat.) JOE: Well— She's— (Beat) She's smart. (Beat) She's fine. Isn't she, Katie? Katie knows her. KATIE: I don't know her. I've talked to her a few times. She's OK. She's really OK. (Beat) I like her. (Short pause ...