Goodnight Children Everywhere and Other PlaysTheatre Communications Group, 2015 M04 10 - 288 páginas Goodnight Children Everywhere New England Some Americans Abroad Two Shakespearean Actors Franny’s Way A prolific and varied writer, Richard Nelson is also the author of a screenplay, a television play, the books for musicals and plays for young audiences, as well as a string of radio plays and powerful adaptations from the classic European repertory of Beaumarchais, Brecht, Chekhov, Goldoni, Molière and Strindberg, all of which have influenced the development of his own craft. Among his many awards include the London Time Out Award, two OBIEs, two Giles Cooper awards and numerous grants and fellowships. He is an honorary associate of the Royal Shakespeare Company. |
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... Hear that, Phil? That's one for me. (To Katie) Good for you. KATIE: The woman who played Barbara, she was great, I thought. FRANKIE: She was good. HENRY: Excellent. (Short pause.) KATIE: The Undershaft, wasn't he in Jewel in the Crown ...
... hear, Joe. After Betty. Of course. JOE: Right, I didn't think—(Stops himself) She's incredibly well liked, you know. One hears that all the time. (Henry nods.) HENRY: Joe. I know it'd make life a lot easier for you, if I got— JOE: That ...
... hear! Great for you, Henry. I told everyone it would only be a matter of time. HENRY: They're both with high schools, Joe. (Short pause.) JOE: Oh shit. HENRY: Is there any chance at all of my staying on for one more year? I'm not asking ...
... so gentle with him. BETTY: And he understood you? (Beat) And he understood you?! JOE: I was as clear as I could be, Betty. I can't do any more than that. BETTY: I suppose not. (Short pause.) JOE: You know Henry. He dreams. He hears.
... hears what he wants to hear sometimes. BETTY: OK. JOE: But if you're saying what I should have done was shove the fact in his face, well— BETTY: No, Joe, no. JOE: I did the best I could. And it was one of the hardest things I've ever ...