Goodnight Children Everywhere and Other PlaysTheatre Communications Group, 2015 M04 10 - 288 páginas Goodnight Children Everywhere New England Some Americans Abroad Two Shakespearean Actors Franny’s Way A prolific and varied writer, Richard Nelson is also the author of a screenplay, a television play, the books for musicals and plays for young audiences, as well as a string of radio plays and powerful adaptations from the classic European repertory of Beaumarchais, Brecht, Chekhov, Goldoni, Molière and Strindberg, all of which have influenced the development of his own craft. Among his many awards include the London Time Out Award, two OBIEs, two Giles Cooper awards and numerous grants and fellowships. He is an honorary associate of the Royal Shakespeare Company. |
Dentro del libro
Resultados 1-5 de 71
... thank you. (Beat. To Philip) It may be a little schematic— PHILIP: You mean a little watered down. JOE: But a schematic argument sometimes is the best way to present a complex moral position. Breaking the argument apart piece by piece ...
... Thank you. (To Philip and Frankie) You want me to show you or not? (Beat) So— capital punishment. I'll make my point with that. Let me ask Frankie. A woman we all know who has strong moral opinions. FRANKIE: Since when? (Laughs) He must ...
... thanks. (Short pause. Katie rubs her shoulders as Harriet begins to set a table for tea.) HARRIET: You're not chilled, are you? We could sit inside. I suppose it may seem a little nippy. KATIE: I'm fine. I have the sweater. And my coat ...
... even had sherry, have you? KATIE: I'll pass. But thanks for asking, Professor Baldwin. (Orson leaves in the direction of the house. Short pause.) HARRIET: I'm also making tea. PHILIP: You're spoiling us. (Short pause.) JOE: Now, if I'd.
... Thanks, Orson. Thanks for your wisdom. (Orson nods and pours himself more sherry.) ORSON (Pouring): Too bad Henry's not black. He'd get a job like that. (Snaps his fingers) PHILIP: Orson, that's— (Stops himself) ORSON: How are the ...