Goodnight Children Everywhere and Other PlaysTheatre Communications Group, 2015 M04 10 - 288 páginas Goodnight Children Everywhere New England Some Americans Abroad Two Shakespearean Actors Franny’s Way A prolific and varied writer, Richard Nelson is also the author of a screenplay, a television play, the books for musicals and plays for young audiences, as well as a string of radio plays and powerful adaptations from the classic European repertory of Beaumarchais, Brecht, Chekhov, Goldoni, Molière and Strindberg, all of which have influenced the development of his own craft. Among his many awards include the London Time Out Award, two OBIEs, two Giles Cooper awards and numerous grants and fellowships. He is an honorary associate of the Royal Shakespeare Company. |
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... (Short pause.) PHILIP: Interesting. JOE: Isn't it? FRANKIE: I'd never heard— JOE: Buddy's argument is in favor of treating people like human beings. In this case the threat of death helps the prisoner. HENRY: You should write an article ...
... (Short pause.) FRANKIE: Last year's plays were better, I think. BETTY: Do you? Then they must have been really marvelous because so far— (Stops herself) FRANKIE: I wasn't saying that this year's— BETTY: No, no. I know you weren't. (Short ...
... (Short pause. Katie rubs her shoulders as Harriet begins to set a table for tea.) HARRIET: You're not chilled, are you? We could sit inside. I suppose it may seem a little nippy. KATIE: I'm fine. I have the sweater. And my coat is just ...
... Short pause.) HARRIET: I'm also making tea. PHILIP: You're spoiling us. (Short pause.) JOE: Now, if I'd.
... (Short pause.) PHILIP: How did we get on to . . .? JOE: I don't know. (Beat) Orson's Henry James class. And to that from Lamb House. PHILIP: That's right. JOE: Philip was saying how he had to cut Orson's class so he could go and stop the ...