Biographia Literaria, Volumen2 |
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Página 233
Should an Englishman gazing on a mass of cloud rich with the rays of 30 the rising sun exclaim , even without distinction of , or reference to its form , or its relation to other objects , how beautiful ! I should have no quarrel with ...
Should an Englishman gazing on a mass of cloud rich with the rays of 30 the rising sun exclaim , even without distinction of , or reference to its form , or its relation to other objects , how beautiful ! I should have no quarrel with ...
Página 248
Taste , therefore , as opposed to vision and sound , will teach us to expect in its metaphorical use a certain reference of any given object to our own being , and not ; merely a distinct notion of the object as in itself , or in its ...
Taste , therefore , as opposed to vision and sound , will teach us to expect in its metaphorical use a certain reference of any given object to our own being , and not ; merely a distinct notion of the object as in itself , or in its ...
Página 310
Coleridge is here at the point of view of Greek aesthetic , according to which Beauty is limited to formal properties or determinations without reference to significance of content . a The example of the coach - wheels shows us 310 ...
Coleridge is here at the point of view of Greek aesthetic , according to which Beauty is limited to formal properties or determinations without reference to significance of content . a The example of the coach - wheels shows us 310 ...
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Biographia Literaria Wordsworth Collection,Samuel Taylor 1772-1834 Coleridge, Ass Sin vista previa disponible - 2016 |
Términos y frases comunes
admiration answer appear attention beauty become Biog called cause character Coleridge Coleridge's common composed connected consists critic definition delight distinction edition effect English equally Essay excellence excitement existence expression feeling former genius German give greater hand heart human images imagination imitation immediate individual instance interest Italy kind language least less Letters light lines living look means metre Milton mind moral nature never object observed once opinion original PAGE passage passed passion perhaps person philosopher pleasure poem poet poetic poetry possible Preface present principle produced prose published reader reason reference respect Review seems sense Shakespeare sound speaking spirit stanza style taste thing thought tion true truth universal whole Wordsworth writings written