From Faust to Strangelove: Representations of the Scientist in Western LiteratureJohns Hopkins University Press, 1994 - 417 páginas They were mad, of course. Or evil. Or godless, amoral, arrogant, impersonal, and inhuman. At best, they were well-intentioned but blind to the dangers of forces they barely controlled. They were Faust and Frankenstein, Jekyll and Moreau, Caligari and Strangelove--the scientists of film and fiction, cultural archetypes that reflected ancient fears of tampering with the unknown or unleashing the little-understood powers of nature. In From Faust to Strangelove Roslyn Haynes offers the first detailed and comprehensive study of the image of the scientist in Western literature and film--from medieval images of alchemists to present-day depictions of cyberpunks and genetic engineers. |
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Página 61
... appear from Phaenomena that there is a Being incorporeal , living , intelligent , omnipresent , who in infinite Space , as it were in his Sensory , sees the things themselves intimately , and thoroughly perceives them , and comprehends ...
... appear from Phaenomena that there is a Being incorporeal , living , intelligent , omnipresent , who in infinite Space , as it were in his Sensory , sees the things themselves intimately , and thoroughly perceives them , and comprehends ...
Página 123
... appears as " a whirling mass , in the centre of which the blazing globe seemed to be laid bare to its core . It was ... appear closer , has the opposite effect : the overriding impression is that the magnitude of space annihilates the ...
... appears as " a whirling mass , in the centre of which the blazing globe seemed to be laid bare to its core . It was ... appear closer , has the opposite effect : the overriding impression is that the magnitude of space annihilates the ...
Página 335
... appears that disaster may eventuate , he is the first to flee the scene . Underlying the comedy is the serious assertion that science is destructive and that scientists , treating it as a game , are irresponsible about the consequences ...
... appears that disaster may eventuate , he is the first to flee the scene . Underlying the comedy is the serious assertion that science is destructive and that scientists , treating it as a game , are irresponsible about the consequences ...
Contenido
Evil Alchemists and Doctor Faustus | 9 |
Bacons New Scientists | 23 |
Foolish Virtuosi | 35 |
Derechos de autor | |
Otras 13 secciones no mostradas
Otras ediciones - Ver todas
From Faust to Strangelove: Representations of the Scientist in Western ... Roslynn Doris Haynes Vista de fragmentos - 1994 |
From Faust to Strangelove: Representations of the Scientist in Western ... Roslynn Doris Haynes,Roslynn Haynes Sin vista previa disponible - 1994 |
Términos y frases comunes
alchemists alchemy American amoral arrogance astronomer atomic bomb attitude Bacon become believed biologist C. P. Snow Cambridge century chapter complex contemporary creator dangerous Darwin death depicted Der Sandmann destruction discovered discovery Doctor Earth effect emotional ethical experiment explore Faust figure film Francis Bacon Frankenstein Galileo German hero human Huxley ibid idea ideal individual intellectual interesting involved Isaac Newton knowledge literary literature London Lydgate machine Mary Shelley mathematical mathematician mechanical mechanistic Middlemarch Monster moral Moreau nature nineteenth-century novel nuclear obsession Oppenheimer philosophers physical physicists planet play poem political popular protagonist rational regarded represents responsibility Robert Robert Oppenheimer robots role Romantic Royal Society satire Science Fiction Science Fiction Studies scientific scientist characters scientists social Stanislaw Lem stereotype story suggests symbol T. H. Huxley theory tion tists truth twentieth-century University Press utopia Verne's Victorian virtuosi weapons Wells's writers York