Policy in Love: Lyric and Public in Ovid, Petrarch, and ShakespeareDuquesne University Press, 1994 - 226 páginas Policy in Love contributes to a new understanding of European love poetry. Christopher Martin engages in close readings of three major texts -- Ovid's Amores, Petrarch's Canzonier and Shakespeare's Sonnets -- highlighting textual indications that these lyric poets are aware of a public audience for love poems that have often been characterized as primarily personal and private. Martin explores the ways in which the poet negotiates the competing demands of intimacy and audience. In contrast to traditional historical critics who stress authorial expressiveness and to reader-response critics who highlight affective stylistics, Martins's approach generates a theory of interpretation that accounts for the interaction of author and multiple audiences. By fashioning this more comprehensive critical paradigm, Martin raises numerous interpretive possibilities. Among these is his revolutionary arguments that love lyrics are indeed public documents. In accordance with this paradigm, the speaker in a love lyric becomes a multifarious personality, involved not only with examining self but also in addressing individual readers and interpretive communities of one's own era and thereafter. The impact of this methodological approach on our understanding of the tonal range and rhetorical versatility of love lyrics cannot be underestimated. |
Contenido
Survival and | 56 |
The Appeal of Mortal Things | 116 |
Shakespeares Politic Lover | 130 |
Derechos de autor | |
Otras 3 secciones no mostradas
Términos y frases comunes
addressee amator amator's amatoria Amor's Amores artistic assertion audience audience's Augustan Augustus awareness beauty become betrays canzone Canzoniere Canzoniere's claims Classical context convention Corinna critical death desire Duquesne University elegy elegy's emotional ence enduring epic Epistulae ex Ponto erotic exile eyes favola favor fear finally Gallus gesture honor human indictment ironic lady's Latin Laura less lines literary Love's Labour's Lost lover lyric manus ment Metamorphoses mihi mistress mortal mythic never nonetheless opening Ovid Ovid's Ovid's speaker Petrarch poem's poems poet poet's poetic poetry political pose praise procreation sonnets Propertius quod readers Renaissance rhetorical rival secure sense sequence sequence's sexual Shakespeare's Sonnets social sonnet 17 Sonnet 32 Sonnets 153 Stephen Booth Studies tamen temperament tempo thee thou Tibullus tion tive Tristia University Press verse vita voices words work's write young youth
Referencias a este libro
Der poetische Pakt: Rolle und Funktion des poetischen Ich in der Liebeslyrik ... Carolin Fischer Vista de fragmentos - 2007 |
Canon, Period, and the Poetry of Charles of Orleans: Found in Translation Anne Elizabeth Banks Coldiron Vista de fragmentos - 2000 |