Poet-I-metrika

9th century Abhinavagupta activity aesthetic experience Alaṁkāra Ananda Anandavardhana Aristotle artistic Aucitya audience Aurobindo beauty becomes Bengali Bhamaha bilinear transformation Calcutta called camatkāra century Citta consciousness consists context creation creative derived dhvani distinction dream elements Eliot emotional charge existence express emotion external feeling former function genius Greek Guņa gunas heart Hence I. A. Richards idea illustrated images imagination imitation inscape inspiration intellectual interface intuition Isha Upanishad Kārikā kavi kāvya kind Kuntaka language latter Literary Criticism literature mantra means memory mental mind mode modern modernist namely nature Oneil Biswas person philosopher poem poet poet's poetry principle prose psychical Psychology quantum Rasa Rāvana reader realisation reality relation rhythm Riti Sahṛdaya Sanskrit seer sensation sense soul speech spiritual Sri Aurobindo super-Ego Supermind symbolic extrication T. S. Eliot Tagore taste term theory things thought truth universe Upanishads Vakrokti Vamana verse Vibhāvas vṛtti words WRITERS WORKSHOP writing