Shakespeare in JapanA&C Black, 2005 M03 10 - 166 páginas Since the late Meiji period, Shakespeare has held a central place in Japanese literary culture. This account explores the conditions of Shakespeare's reception and assimilation. It considers the problems of translation both cultural and linguistic, and includes an extensive illustrated survey of the most significant Shakespearean productions and adaptations, and the contrasting responses of Japanese and Western critics. |
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Página ix
... responses to works of art from other cultures and periods are always , and inevitably , culturally and historically bounded . This , as Gadamer went on to argue , is not simply a sign of ' bias ' or of some reprehensible and escapable ...
... responses to works of art from other cultures and periods are always , and inevitably , culturally and historically bounded . This , as Gadamer went on to argue , is not simply a sign of ' bias ' or of some reprehensible and escapable ...
Página x
... responses to Shakespeare , Fortinbras was regularly excluded from English productions of Hamlet from 1660 to 1897 , when George Bernard Shaw persuaded Forbes Robertson to restore Fortinbras in his famous production . To omit Fortinbras ...
... responses to Shakespeare , Fortinbras was regularly excluded from English productions of Hamlet from 1660 to 1897 , when George Bernard Shaw persuaded Forbes Robertson to restore Fortinbras in his famous production . To omit Fortinbras ...
Página xi
... responses to Prince Hamlet is a no less valuable , sometimes corrective , stimulus to thinking about Hamlet and Hamlet . This is not least because Prince Hamlet is seldom concerned to discover or establish what those he loves think and ...
... responses to Prince Hamlet is a no less valuable , sometimes corrective , stimulus to thinking about Hamlet and Hamlet . This is not least because Prince Hamlet is seldom concerned to discover or establish what those he loves think and ...
Página 6
... responses in the audience : so , when we watch or read Julius Caesar we are never quite certain whether or not Caesar is to be regarded as a tyrant and whether or not the conspirators act for freedom . In sharp contrast , a Bunraku ...
... responses in the audience : so , when we watch or read Julius Caesar we are never quite certain whether or not Caesar is to be regarded as a tyrant and whether or not the conspirators act for freedom . In sharp contrast , a Bunraku ...
Página 19
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accentual-syllabic verse acting Akechi Mitsuhide Atsumori Bunraku Caesar Cambridge characters Claudius Claudius's Diary contemporary course critics culture Dazai Deguchi director Elizabethan English essay feel film Fortinbras Fukuda Tsuneari Gertrude ghost happened Hashiba Hideyoshi Horatio I-novel Ibid Ibsen Japan Japanese audience Japanese translator joruri Kabuki Kabuki actors King Lear Kishi Kobayashi Kurosawa Kyogen language later lexical stress literary Macbeth meaning modern Mousetrap murdered narrator never Ninagawa Nishi Noh drama Noh play novelist Ooka Ophelia original version Othello performance poetic drama political Polonius prince Prince Hamlet productions of Shakespeare puppet samurai says scene seems sense Shake Shakespeare in Japan Shakespeare's play Shiga Shiga Naoya Shingeki actors Shoyo's version soliloquy sound speech stage story Suematsu Suzuki Suzuki Tadashi syllabic verse syllables Tetsuo Throne of Blood Tokyo Toyama traditional Japanese theatre translating Shakespeare translations of Shakespeare Tsubouchi Shoyo understand University Press visual Wada wanted Western witches words