Shakespeare in JapanA&C Black, 2005 M03 10 - 166 páginas Since the late Meiji period, Shakespeare has held a central place in Japanese literary culture. This account explores the conditions of Shakespeare's reception and assimilation. It considers the problems of translation both cultural and linguistic, and includes an extensive illustrated survey of the most significant Shakespearean productions and adaptations, and the contrasting responses of Japanese and Western critics. |
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Página viii
... Western terms , Part 2 might seem more provocative . Here we are chiefly concerned with later Japanese productions ... Western views of the more impressive achievement of Kurosawa Akira , in his so - called Shakespearean films , are ...
... Western terms , Part 2 might seem more provocative . Here we are chiefly concerned with later Japanese productions ... Western views of the more impressive achievement of Kurosawa Akira , in his so - called Shakespearean films , are ...
Página ix
Tetsuo Kishi. Western view of Shakespeare prevails at different times is some- how ' authentic ' and the correspondingly condescending idea that non - Western views are at best stimulatingly ' exotic ' or visually pleasing , but ...
Tetsuo Kishi. Western view of Shakespeare prevails at different times is some- how ' authentic ' and the correspondingly condescending idea that non - Western views are at best stimulatingly ' exotic ' or visually pleasing , but ...
Página 1
... Western plays. The society produced plays by Shakespeare and Ibsen among other writers, before it was disbanded in 1913. Thus, Shoyo functioned as one of the pioneers of the new theatre movement which aimed at starting a new genre ...
... Western plays. The society produced plays by Shakespeare and Ibsen among other writers, before it was disbanded in 1913. Thus, Shoyo functioned as one of the pioneers of the new theatre movement which aimed at starting a new genre ...
Página 2
Tetsuo Kishi. contemporary Western drama . The new genre was called Shingeki ( literally ' new theatre ' or ' new drama ' , in contrast to the old theatre which was primarily Kabuki ) and Shoyo's contribu- tion to this movement is never ...
Tetsuo Kishi. contemporary Western drama . The new genre was called Shingeki ( literally ' new theatre ' or ' new drama ' , in contrast to the old theatre which was primarily Kabuki ) and Shoyo's contribu- tion to this movement is never ...
Página 3
... Western realistic or naturalistic drama like that of Ibsen or Shaw. Also, as Shoyo himself liked to point out, the Japanese were politically and socially far closer to feudalism than contemporary British or American readers and ...
... Western realistic or naturalistic drama like that of Ibsen or Shaw. Also, as Shoyo himself liked to point out, the Japanese were politically and socially far closer to feudalism than contemporary British or American readers and ...
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accentual-syllabic verse acting Akechi Mitsuhide Atsumori Bunraku Caesar Cambridge characters Claudius Claudius's Diary contemporary course critics culture Dazai Deguchi director Elizabethan English essay feel film Fortinbras Fukuda Tsuneari Gertrude ghost happened Hashiba Hideyoshi Horatio I-novel Ibid Ibsen Japan Japanese audience Japanese translator joruri Kabuki Kabuki actors King Lear Kishi Kobayashi Kurosawa Kyogen language later lexical stress literary Macbeth meaning modern Mousetrap murdered narrator never Ninagawa Nishi Noh drama Noh play novelist Ooka Ophelia original version Othello performance poetic drama political Polonius prince Prince Hamlet productions of Shakespeare puppet samurai says scene seems sense Shake Shakespeare in Japan Shakespeare's play Shiga Shiga Naoya Shingeki actors Shoyo's version soliloquy sound speech stage story Suematsu Suzuki Suzuki Tadashi syllabic verse syllables Tetsuo Throne of Blood Tokyo Toyama traditional Japanese theatre translating Shakespeare translations of Shakespeare Tsubouchi Shoyo understand University Press visual Wada wanted Western witches words