John Keats and the Loss of Romantic Innocence

Portada
Rodopi, 1996 - 194 páginas
John Keats and the Loss of Romantic Innocence traces Keats's use of an Appolonian metaphor. Of the nearly 150 works listed in Jack Stillinger's standard edition, approximately half contain references to the god of nature and of art. What emerges are three distinct phases in Keats's aesthetic development. From his initial fondness for bower imagery and the pastoral voices of Spenser and Hunt, to the Neo-Platonism of his poems about art and imagination, to his ultimate rejection of romantic idealism, Keats and his Apollonian metaphor are rarely separated. The poet's dismissal of romantic idealism is ultimately a rejection of Blake's God, Coleridge's of Germanism, Wordsworth's Nature, Byron's Hellenism, and Shelley's Supernaturalism. The young poet dies aware of the excesses of his empirically oriented pleasant smotherings and idealistic realms of gold. He accepts a world without Apollo and his entourage, a world unembellished by art and other gilded cheats.
 

Comentarios de la gente - Escribir un comentario

No encontramos ningún comentario en los lugares habituales.

Contenido

Preface
5
Acknowledgments 1 Introduction
11
Native Fire
11
Pleasant Smotherings
46
Realms of Gold
96
Gilded Cheats
142
Conclusion
181
Bibliography
185
Index to Keatss Poetry
192
Derechos de autor

Términos y frases comunes

Referencias a este libro

John Keats
Harold Bloom
Vista de fragmentos - 2007
John Keats
Harold Bloom
Vista de fragmentos - 2007

Información bibliográfica