Makers of Literary Criticism, Volumen1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 páginas |
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Página 217
... verse , and Virgil needed not verse to have bounded his . " In our own language we see Ben Jonson confining himself to what ought to be said , even in the liberty of blank verse ; and yet Corneille , the most judicious of the French ...
... verse , and Virgil needed not verse to have bounded his . " In our own language we see Ben Jonson confining himself to what ought to be said , even in the liberty of blank verse ; and yet Corneille , the most judicious of the French ...
Página 218
... verse . A good poet never establishes the first line till he has sought out such a rhyme as may fit the sense , already prepared to heighten the second : many times the close of the sense falls into the middle of the next verse , or ...
... verse . A good poet never establishes the first line till he has sought out such a rhyme as may fit the sense , already prepared to heighten the second : many times the close of the sense falls into the middle of the next verse , or ...
Página 339
... verse without rhyme . Of this mode he had many examples among the Italians , and some in his own country . The Earl of Surrey is said to have translated one of Virgil's books without rhyme ; and , besides our tragedies , a few short ...
... verse without rhyme . Of this mode he had many examples among the Italians , and some in his own country . The Earl of Surrey is said to have translated one of Virgil's books without rhyme ; and , besides our tragedies , a few short ...
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Makers of Literary Criticism, Volumen1 Balachandra Rajan,Arapura Ghevarghese George Vista de fragmentos - 1965 |
Términos y frases comunes
action admiration Æneid Aeschylus ancient appears argument Aristotle audience beauty Ben Jonson better blank verse called censure character Chaucer Cicero comedy criticism delight Demosthenes diction diligence discourse drama Dryden elegant English epic epic poetry Euripides evil example excellent express eyes fable faults favour French genius give Glaucon Greek Herodotus Homer honour Horace human images imagination imitation invention John Dryden judge judgement kind King knowledge labour language learning Lisideius live manners mean Milton mind nature never observed opinion Ovid Paradise Lost passage passions perhaps persons philosopher Plato Plautus play pleasure plot poem poesy poet poetical poetry praise reader reason rhyme ridiculous scenes seems sense sentiments Shakespeare sometimes Sophocles soul speak speech stage style sublimity suppose things thought tion tragedy translated true truth verse Virgil virtue whole words write written Xenophon