Makers of Literary Criticism, Volumen1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 páginas |
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Página 178
... thought the author of those tragedies ( at least the best of them ) that go under that name . Gregory Nazi- anzen a Father of the Church , thought it not unbeseeming the sanctity of his person to write a tragedy , which he entitled ...
... thought the author of those tragedies ( at least the best of them ) that go under that name . Gregory Nazi- anzen a Father of the Church , thought it not unbeseeming the sanctity of his person to write a tragedy , which he entitled ...
Página 281
Balachandra Rajan, Arapura Ghevarghese George. none had thought to examine before , and restored many lines to their in- tegrity ; but by a very compendious criticism he rejected whatever he disliked , and thought more of amputation than ...
Balachandra Rajan, Arapura Ghevarghese George. none had thought to examine before , and restored many lines to their in- tegrity ; but by a very compendious criticism he rejected whatever he disliked , and thought more of amputation than ...
Página 346
... thought , which he can never fashion either into wit or English . His style is boisterous and rough - hewn ; his rhyme incorrigibly lewd , and his numbers perpetually harsh and ill - sounding . That little talent which he has is fancy ...
... thought , which he can never fashion either into wit or English . His style is boisterous and rough - hewn ; his rhyme incorrigibly lewd , and his numbers perpetually harsh and ill - sounding . That little talent which he has is fancy ...
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Makers of Literary Criticism, Volumen1 Balachandra Rajan,Arapura Ghevarghese George Vista de fragmentos - 1965 |
Términos y frases comunes
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written