Makers of Literary Criticism, Volumen1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 páginas |
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Página 4
... things . Yes , he said , the difference is only apparent . Now let me ask you another question : which is the art of painting de- signed to be an imitation of things as they are , or as they appear - of appearance or of reality ? Of ...
... things . Yes , he said , the difference is only apparent . Now let me ask you another question : which is the art of painting de- signed to be an imitation of things as they are , or as they appear - of appearance or of reality ? Of ...
Página 153
... things in a young writer ; which yet if he continue in , I cannot but justly hate him for the same . There is a time to be given all things for maturity ; and that even your country - husband - man can teach ; who to a young plant will ...
... things in a young writer ; which yet if he continue in , I cannot but justly hate him for the same . There is a time to be given all things for maturity ; and that even your country - husband - man can teach ; who to a young plant will ...
Página 170
... things are to be considered ; first , that it exceed not the compass of one day : next , that there be place left for digression , and art . For the episodes , and digressions in a fable , are the same that household stuff , and other ...
... things are to be considered ; first , that it exceed not the compass of one day : next , that there be place left for digression , and art . For the episodes , and digressions in a fable , are the same that household stuff , and other ...
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Makers of Literary Criticism, Volumen1 Balachandra Rajan,Arapura Ghevarghese George Vista de fragmentos - 1965 |
Términos y frases comunes
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written