Makers of Literary Criticism, Volumen1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 páginas |
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Página 43
... speech . ( 1 ) A letter is an indivisible sound ; yet not all such sounds are letters , but those only that are ... speech is a sound significant , composed of other sounds , some of which are significant by themselves : for all ...
... speech . ( 1 ) A letter is an indivisible sound ; yet not all such sounds are letters , but those only that are ... speech is a sound significant , composed of other sounds , some of which are significant by themselves : for all ...
Página 47
... speech : as δωμάτων απο instead of ἀπὸ δωμάτων and σέθεν , and ἐγὼ δὲ υιν and ἀχιλλέως πέρι instead of περὶ αχιλλέως etc. Now it is precisely owing to their being not in common use that such expressions have the effect of giving ...
... speech : as δωμάτων απο instead of ἀπὸ δωμάτων and σέθεν , and ἐγὼ δὲ υιν and ἀχιλλέως πέρι instead of περὶ αχιλλέως etc. Now it is precisely owing to their being not in common use that such expressions have the effect of giving ...
Página 76
... speech . So Demosthenes in his speech against Meidias repeats the same words and breaks up his sentences in one lively descriptive passage : " He who receives a blow is hurt in many ways he could not even describe to another , by ...
... speech . So Demosthenes in his speech against Meidias repeats the same words and breaks up his sentences in one lively descriptive passage : " He who receives a blow is hurt in many ways he could not even describe to another , by ...
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Makers of Literary Criticism, Volumen1 Balachandra Rajan,Arapura Ghevarghese George Vista de fragmentos - 1965 |
Términos y frases comunes
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written