Makers of Literary Criticism, Volumen1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 páginas |
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Página 186
... scenes , the continuity of joining of the scenes ; and ' tis a good mark of a well - contrived play , when all the persons are known to each other , and every one of them has some affairs with all the rest . " As for the third Unity ...
... scenes , the continuity of joining of the scenes ; and ' tis a good mark of a well - contrived play , when all the persons are known to each other , and every one of them has some affairs with all the rest . " As for the third Unity ...
Página 191
... scenes ; but the reason is , because they have seldom above two or three scenes , properly so called , in every act ; for it is to be accounted a new scene , not only every time the stage is empty ; but every person who enters , though ...
... scenes ; but the reason is , because they have seldom above two or three scenes , properly so called , in every act ; for it is to be accounted a new scene , not only every time the stage is empty ; but every person who enters , though ...
Página 207
... scenes broken . Many times they fall by it in a greater inconvenience ; for they keep their scenes unbroken , and yet change the place ; as in one of their newest plays , where the act begins in the street . There a gentleman is to meet ...
... scenes broken . Many times they fall by it in a greater inconvenience ; for they keep their scenes unbroken , and yet change the place ; as in one of their newest plays , where the act begins in the street . There a gentleman is to meet ...
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Makers of Literary Criticism, Volumen1 Balachandra Rajan,Arapura Ghevarghese George Vista de fragmentos - 1965 |
Términos y frases comunes
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written