Makers of Literary Criticism, Volumen1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 páginas |
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Página 80
... readers , but spectators . Such a direct personal address always has the effect of placing the reader in the midst of the scene of action . And by pointing your words to the individual reader , instead of to the readers generally , as ...
... readers , but spectators . Such a direct personal address always has the effect of placing the reader in the midst of the scene of action . And by pointing your words to the individual reader , instead of to the readers generally , as ...
Página 227
... reader , without obtruding my opinion on him . Or , if I seem partial to my countryman and predecessor in the laurel , the friends of antiquity are not few ; and besides many of the learned , Ovid has almost all the Beaux , and the ...
... reader , without obtruding my opinion on him . Or , if I seem partial to my countryman and predecessor in the laurel , the friends of antiquity are not few ; and besides many of the learned , Ovid has almost all the Beaux , and the ...
Página 228
... reader with the shortness of time in which I wrote it , or the several intervals of sickness . They who think too well of their own performances , are apt to boast in their prefaces how little time their works have cost them , and what ...
... reader with the shortness of time in which I wrote it , or the several intervals of sickness . They who think too well of their own performances , are apt to boast in their prefaces how little time their works have cost them , and what ...
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Makers of Literary Criticism, Volumen1 Balachandra Rajan,Arapura Ghevarghese George Vista de fragmentos - 1965 |
Términos y frases comunes
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written