Makers of Literary Criticism, Volumen1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 páginas |
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Página 12
... poets and first of tragedy writers ; but we must remain firm in our conviction that hymns to the gods and praises of famous men are the only poetry which ought to be admitted into our State . For if you go beyond this and allow the ...
... poets and first of tragedy writers ; but we must remain firm in our conviction that hymns to the gods and praises of famous men are the only poetry which ought to be admitted into our State . For if you go beyond this and allow the ...
Página 25
... poet . But of this enough . There are , again , other species of poetry which make use of all the means of imitation : rhythm , melody , and verse . Such are the dithyrambic , that of nomes , tragedy , and comedy ; with this difference ...
... poet . But of this enough . There are , again , other species of poetry which make use of all the means of imitation : rhythm , melody , and verse . Such are the dithyrambic , that of nomes , tragedy , and comedy ; with this difference ...
Página 339
... poetry . But , perhaps , of poetry as a mental operation , metre of music is no necessary adjunct : it is , however , by the music of metre that poetry has been discri- minated in all languages ; and , in languages melodiously ...
... poetry . But , perhaps , of poetry as a mental operation , metre of music is no necessary adjunct : it is , however , by the music of metre that poetry has been discri- minated in all languages ; and , in languages melodiously ...
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Makers of Literary Criticism, Volumen1 Balachandra Rajan,Arapura Ghevarghese George Vista de fragmentos - 1965 |
Términos y frases comunes
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written