Makers of Literary Criticism, Volumen1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 páginas |
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Página 62
... passions . Now if he made this omission from a belief that the Sublime and the Pathetic are one and the same thing , holding them to be always coexistent and interdependent , he is in error . Some passions are found which , so far from ...
... passions . Now if he made this omission from a belief that the Sublime and the Pathetic are one and the same thing , holding them to be always coexistent and interdependent , he is in error . Some passions are found which , so far from ...
Página 194
... passions , that , had he lived in our age , or in his own could have written with our advantages , no man but must have yielded to him ; and therefore I am confident the Medea is none of his : for , though I esteem it for the gravity ...
... passions , that , had he lived in our age , or in his own could have written with our advantages , no man but must have yielded to him ; and therefore I am confident the Medea is none of his : for , though I esteem it for the gravity ...
Página 221
... passions , the descriptions , are all exalted above the level of common converse , as high as the imagina- tion of the poet can carry them , with proportion to verisimility . Tragedy , we know , is wont to image to us the minds and ...
... passions , the descriptions , are all exalted above the level of common converse , as high as the imagina- tion of the poet can carry them , with proportion to verisimility . Tragedy , we know , is wont to image to us the minds and ...
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Makers of Literary Criticism, Volumen1 Balachandra Rajan,Arapura Ghevarghese George Vista de fragmentos - 1965 |
Términos y frases comunes
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written