Makers of Literary Criticism, Volumen1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 páginas |
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Página 85
... never stumbles and never requires correction ? And again , whether the first place in literature is justly to be assigned to the more numerous , or the loftier excellences ? For these are questions proper to an inquiry on the Sublime ...
... never stumbles and never requires correction ? And again , whether the first place in literature is justly to be assigned to the more numerous , or the loftier excellences ? For these are questions proper to an inquiry on the Sublime ...
Página 220
... never equal them , but they could never equal themselves , were they to rise and write again . We acknowledge them our fathers in wit ; but they have ruined their estates them- selves , before they came to their children's hands . There ...
... never equal them , but they could never equal themselves , were they to rise and write again . We acknowledge them our fathers in wit ; but they have ruined their estates them- selves , before they came to their children's hands . There ...
Página 346
... never fashion either into wit or English . His style is boisterous and rough - hewn ; his rhyme incorrigibly lewd , and his numbers perpetually harsh and ill - sounding . That little talent which he has is fancy . He sometimes labours ...
... never fashion either into wit or English . His style is boisterous and rough - hewn ; his rhyme incorrigibly lewd , and his numbers perpetually harsh and ill - sounding . That little talent which he has is fancy . He sometimes labours ...
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Makers of Literary Criticism, Volumen1 Balachandra Rajan,Arapura Ghevarghese George Vista de fragmentos - 1965 |
Términos y frases comunes
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written