Makers of Literary Criticism, Volumen1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 páginas |
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Página 29
... manners and their sentiments , since it is from these that actions themselves derive their char- acter , it follows that there must also be manners and sentiments as the two causes of actions , and , consequently , of the happiness or ...
... manners and their sentiments , since it is from these that actions themselves derive their char- acter , it follows that there must also be manners and sentiments as the two causes of actions , and , consequently , of the happiness or ...
Página 30
... manners , but in the imitation of action that of manners is of course involved . So that the action and the fable are the end of tragedy ; and in everything the end is of principal importance . Again , tragedy cannot subsist without ...
... manners , but in the imitation of action that of manners is of course involved . So that the action and the fable are the end of tragedy ; and in everything the end is of principal importance . Again , tragedy cannot subsist without ...
Página 38
... manners may be found in persons of every descrip- tion : the manners of a woman or of a slave may be good ; though , in general , women are , perhaps , rather bad than good , and slaves altogether bad . The second requisite of the ...
... manners may be found in persons of every descrip- tion : the manners of a woman or of a slave may be good ; though , in general , women are , perhaps , rather bad than good , and slaves altogether bad . The second requisite of the ...
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Makers of Literary Criticism, Volumen1 Balachandra Rajan,Arapura Ghevarghese George Vista de fragmentos - 1965 |
Términos y frases comunes
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written