Makers of Literary Criticism, Volumen1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 páginas |
Dentro del libro
Resultados 1-3 de 73
Página 127
... leave those , and please an ill - pleased eye with wanton shows of better - hidden matters . But what ! shall the abuse of a thing make the right use odious ? Nay , truly , though I yield that poesy may not only be abused , but that ...
... leave those , and please an ill - pleased eye with wanton shows of better - hidden matters . But what ! shall the abuse of a thing make the right use odious ? Nay , truly , though I yield that poesy may not only be abused , but that ...
Página 235
... leave to do myself the justice ( since my enemies will do me none , and are so far from granting me to be a good poet , that they will now allow me so much as to be a Christian , or a moral man ) , may I have leave , I say , to inform ...
... leave to do myself the justice ( since my enemies will do me none , and are so far from granting me to be a good poet , that they will now allow me so much as to be a Christian , or a moral man ) , may I have leave , I say , to inform ...
Página 376
... leave without the price . The inevitable consequence of poverty is dependence . Dryden had probably no recourse in his exigences but to his bookseller . The particular character of Tonson I do not know ; but the general conduct of ...
... leave without the price . The inevitable consequence of poverty is dependence . Dryden had probably no recourse in his exigences but to his bookseller . The particular character of Tonson I do not know ; but the general conduct of ...
Otras ediciones - Ver todas
Makers of Literary Criticism, Volumen1 Balachandra Rajan,Arapura Ghevarghese George Vista de fragmentos - 1965 |
Términos y frases comunes
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written