Makers of Literary Criticism, Volumen1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 páginas |
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Página 29
... judge of the beauties and defects of tragedy is , of course , equally a judge with respect to those of epic poetry ; for all the parts of the epic poem are to be found in tragedy ; not all those of tragedy in the epic poem . PART II OF ...
... judge of the beauties and defects of tragedy is , of course , equally a judge with respect to those of epic poetry ; for all the parts of the epic poem are to be found in tragedy ; not all those of tragedy in the epic poem . PART II OF ...
Página 167
... judge of poets is only the faculty of poets ; and not of all poets , but the best . Nemo infaelicius de Poetis judicavit , quàm qui de Poetis scripsit . But , some will say , critics are a kind of tinkers ; that make more faults , than ...
... judge of poets is only the faculty of poets ; and not of all poets , but the best . Nemo infaelicius de Poetis judicavit , quàm qui de Poetis scripsit . But , some will say , critics are a kind of tinkers ; that make more faults , than ...
Página 224
... judge- ment , that is , so profound , so strong , or rather so infallible a judgement , that he needs no helps to keep it always poised and upright , will commit no faults either in rhyme or out of it . And on the other extreme , he who ...
... judge- ment , that is , so profound , so strong , or rather so infallible a judgement , that he needs no helps to keep it always poised and upright , will commit no faults either in rhyme or out of it . And on the other extreme , he who ...
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Makers of Literary Criticism, Volumen1 Balachandra Rajan,Arapura Ghevarghese George Vista de fragmentos - 1965 |
Términos y frases comunes
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written