Makers of Literary Criticism, Volumen1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 páginas |
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Página 216
... imagination ? Since the mind of man does naturally tend to truth ; and therefore the nearer anything comes to the imitation of it , the more it pleases . " Thus , you see , your rhyme is incapable of expressing the greatest thoughts ...
... imagination ? Since the mind of man does naturally tend to truth ; and therefore the nearer anything comes to the imitation of it , the more it pleases . " Thus , you see , your rhyme is incapable of expressing the greatest thoughts ...
Página 332
... imagination in the highest degree fervid and active , to which materials were supplied by incessant study and unlimited curiosity . The heat of Milton's mind might be said to sublimate his learning , to throw off into his work the ...
... imagination in the highest degree fervid and active , to which materials were supplied by incessant study and unlimited curiosity . The heat of Milton's mind might be said to sublimate his learning , to throw off into his work the ...
Página 335
... imagination can at least conceive , and poetical terror such as human strength and fortitude may combat . The good and evil of eternity are too ponderous for the wings of wit ; the mind sinks under them in passive helplessness , content ...
... imagination can at least conceive , and poetical terror such as human strength and fortitude may combat . The good and evil of eternity are too ponderous for the wings of wit ; the mind sinks under them in passive helplessness , content ...
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Makers of Literary Criticism, Volumen1 Balachandra Rajan,Arapura Ghevarghese George Vista de fragmentos - 1965 |
Términos y frases comunes
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written