Makers of Literary Criticism, Volumen1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 páginas |
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Página 31
... follow . A middle is that which both supposes some- thing to precede and requires something to follow . The poet , therefore , who would construct his fable properly is not at liberty to begin or end where he pleases , but must conform ...
... follow . A middle is that which both supposes some- thing to precede and requires something to follow . The poet , therefore , who would construct his fable properly is not at liberty to begin or end where he pleases , but must conform ...
Página 34
... follow only after , each other . IX A revolution is a change ( such as has already been mentioned ) into the reverse ... follows to inflict it ; but the event , resulting from the course of the incidents , is that Danaus is killed and ...
... follow only after , each other . IX A revolution is a change ( such as has already been mentioned ) into the reverse ... follows to inflict it ; but the event , resulting from the course of the incidents , is that Danaus is killed and ...
Página 116
... follow- ing prosperity . And , of the contrary part , if evil men come to the stage , they ever go out , as the tragedy writer answered to one that misliked the show of such persons so manacled , as they little animate folks to follow ...
... follow- ing prosperity . And , of the contrary part , if evil men come to the stage , they ever go out , as the tragedy writer answered to one that misliked the show of such persons so manacled , as they little animate folks to follow ...
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Makers of Literary Criticism, Volumen1 Balachandra Rajan,Arapura Ghevarghese George Vista de fragmentos - 1965 |
Términos y frases comunes
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written