Makers of Literary Criticism, Volumen1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 páginas |
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Página 262
... considered , and what is most considered is best understood . The poet of whose works I have undertaken the revision may now begin to assume the dignity of an ancient and claim the privilege or established fame and prescriptive ...
... considered , and what is most considered is best understood . The poet of whose works I have undertaken the revision may now begin to assume the dignity of an ancient and claim the privilege or established fame and prescriptive ...
Página 265
... considered as so little allied that I do not recol- lect among the Greeks or Romans a single writer who attempted both . Shakespeare has united the powers of exciting laughter and sorrow not only in one mind but in one composition ...
... considered as so little allied that I do not recol- lect among the Greeks or Romans a single writer who attempted both . Shakespeare has united the powers of exciting laughter and sorrow not only in one mind but in one composition ...
Página 332
... considered its component parts , the sentiments and the diction . The sentiments , as expressive of manners , or appropriated to characters , are for the greater part unexceptionally just . Splendid passages , containing lessons of ...
... considered its component parts , the sentiments and the diction . The sentiments , as expressive of manners , or appropriated to characters , are for the greater part unexceptionally just . Splendid passages , containing lessons of ...
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Makers of Literary Criticism, Volumen1 Balachandra Rajan,Arapura Ghevarghese George Vista de fragmentos - 1965 |
Términos y frases comunes
action admiration Æneid Aeschylus ancient appears argument Aristotle audience beauty Ben Jonson better blank verse called censure character Chaucer Cicero comedy criticism delight Demosthenes diction diligence discourse drama Dryden elegant English epic epic poetry Euripides evil example excellent express eyes fable faults favour French genius give Glaucon Greek Herodotus Homer honour Horace human images imagination imitation invention John Dryden judge judgement kind King knowledge labour language learning Lisideius live manners mean Milton mind nature never observed opinion Ovid Paradise Lost passage passions perhaps persons philosopher Plato Plautus play pleasure plot poem poesy poet poetical poetry praise reader reason rhyme ridiculous scenes seems sense sentiments Shakespeare sometimes Sophocles soul speak speech stage style sublimity suppose things thought tion tragedy translated true truth verse Virgil virtue whole words write written Xenophon