Makers of Literary Criticism, Volumen1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 páginas |
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Página 163
... called κατ ' εξοχήν , ο ποιητής a maker , or a fainer : his art , an art of imitation , or faining ; expressing the life of man in fit measure , numbers , and harmony , according to Aristotle : from the word Toleiv which signifies to ...
... called κατ ' εξοχήν , ο ποιητής a maker , or a fainer : his art , an art of imitation , or faining ; expressing the life of man in fit measure , numbers , and harmony , according to Aristotle : from the word Toleiv which signifies to ...
Página 178
... called by the Greeks Monos- trophic , or rather Apolelymenon , without regard had to Strophe , Antistrophe or Epod , which were a kind of stanzas framed only for the music , then used with the chorus that sung ; not essential to the ...
... called by the Greeks Monos- trophic , or rather Apolelymenon , without regard had to Strophe , Antistrophe or Epod , which were a kind of stanzas framed only for the music , then used with the chorus that sung ; not essential to the ...
Página 361
... called Dryden's Satire to his Muse , ascribed , though , as Pope says , falsely , to Somers , who was afterwards chancellor . The poem , whosesover it was , has much virulence , and some sprightliness . The writer tells all the ill that ...
... called Dryden's Satire to his Muse , ascribed , though , as Pope says , falsely , to Somers , who was afterwards chancellor . The poem , whosesover it was , has much virulence , and some sprightliness . The writer tells all the ill that ...
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Makers of Literary Criticism, Volumen1 Balachandra Rajan,Arapura Ghevarghese George Vista de fragmentos - 1965 |
Términos y frases comunes
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written