Makers of Literary Criticism, Volumen1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 - 412 páginas |
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Página 274
... English prose , which the critics have now to see in saxo Grammaticus . His English histories he took from English chronicles and English ballads , and as the ancient writers were made known to his countrymen by versions , they supplied ...
... English prose , which the critics have now to see in saxo Grammaticus . His English histories he took from English chronicles and English ballads , and as the ancient writers were made known to his countrymen by versions , they supplied ...
Página 276
... English . What can be more probable than that he who copied that would have copied more but that those which were not translated were inaccessible . Whether he knew the modern languages is uncertain . That his plays have some French ...
... English . What can be more probable than that he who copied that would have copied more but that those which were not translated were inaccessible . Whether he knew the modern languages is uncertain . That his plays have some French ...
Página 339
... English Poetry might be learned . After his diction , something must be said of his versification . The measure , he says , is the English heroic verse without rhyme . Of this mode he had many examples among the Italians , and some in ...
... English Poetry might be learned . After his diction , something must be said of his versification . The measure , he says , is the English heroic verse without rhyme . Of this mode he had many examples among the Italians , and some in ...
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Makers of Literary Criticism, Volumen1 Balachandra Rajan,Arapura Ghevarghese George Vista de fragmentos - 1965 |
Términos y frases comunes
action ancient answer appears beauty beginning better called cause character comedy common considered criticism delight Dryden effect English example excellent express eyes fable faults follow force genius give given greater hand Homer human images imagination imitation judge judgement kind knowledge known labour language learning leave less lines live look lost manners matter mean Milton mind nature never object observed once opinion pass passage passions perfect perhaps persons Plautus play pleasure poem poesy poet poetry praise present produced reader reason received relation represented rest rhyme rules scenes seems sense sometimes soul speak speech stage style sublimity suppose tell things thought tion tragedy translated true truth verse virtue whole write written