A Revolution Almost Beyond Expression: Jane Austen's PersuasionUniversity of Delaware Press, 2007 - 280 páginas To praise Jane Austen's novels only as stylistic masterpieces is to strip them of the historical, cultural, and literary contexts that might otherwise illuminate them. By focusing primarily on the political, historical, satiric, actively intertextual, and deeply sexualized text of Persuasion, Jocelyn Harris seeks to reconcile the so-called insignificance of her content with her high canonical status, for Austen's interactions with real and imagined worlds prove her to be innovative, even revolutionary. This book answers common assertions that Austen's content is restricted; that being uneducated and a woman, she could only write unconsciously, realistically, and autobiographically of what she knew; that her national and sexual politics were reactionary; and that her novels serve mainly as havens from reality. Such ideas arose from literal readings of Austen's letters, the family's representation of her as a gentle, unlearned genius, and the assumption that she could not write about the Napoleonic Wars. Persuasion is, though, permeated with references to war as well as peace. Harris suggests that Persuasion may respond to Walter Scott's review of Emma, Austen's correspondence with Fanny Knight, hostile reviews of Frances Burney's The Wanderer, contemporary attacks on the novel, and her own defense of fiction in Northanger Abbey. Self-critical in revision, Austen calls on Byron, Shakespeare, Napoleon, and Cook to modify wartime constructions of English masculinity such as Southey's Nelson. Similarly, her critique of Scott's first three novels confirms that her attitude toward class and gender is far from reactionary. |
Dentro del libro
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... appearing in reviews in the public press ) . Associated University Presses 2010 Eastpark Boulevard Cranbury , NJ 08512 The paper used in this publication meets the requirements of the American National Standard for Permanence of Paper ...
... appeared in Sensibilities , the journal of the Jane Austen Society of Australia ( December , 2004 : 5-20 ) . I am grateful to the British Library for allowing me to exam- ine the MS chapters of Persuasion ; the National Portrait Gallery ...
... appearance among them , " then " began to fasten himself upon her , as she knelt , in such a way that , busy as she was about Charles , she could not shake him off . Once she did contrive to push him away , but the boy had the greater ...
... appeared to suspiciously prompt reviews on March 12 , 1814,17 eighteen months before Austen began writing " The Elliots , " her first title for Persuasion . Critics represented it , with aston- ishingly gendered ferocity , as an ...
... appeared most desirable . " Louisa's affliction is " deep , but silent and submissive . " Though blaming her- self for his death , she is greatly consoled by the fact that Sir Edward had " so just a sense of his own error , and so ...
Contenido
20 | |
The Reviser at Work MS Chapter 10 to Chapters XXI 1818 | 36 |
At the White Hart MS Chapter 11 to Chapter XII 1818 | 63 |
The History of Buonaparte | 73 |
Domestic Virtues and National Importance | 91 |
A Critique on Walter Scott | 109 |
Prejudice on the Side of Ancestry | 130 |
The Worth of Lyme | 146 |
The White Glare of Bath | 160 |
Meaning to Have Spring Again | 188 |
A Thoughtless Gay Set | 195 |
Notes | 202 |
248 | |
267 | |
Otras ediciones - Ver todas
A Revolution Almost Beyond Expression: Jane Austen's Persuasion Jocelyn Harris Vista de fragmentos - 2007 |