A Revolution Almost Beyond Expression: Jane Austen's PersuasionUniversity of Delaware Press, 2007 - 280 páginas To praise Jane Austen's novels only as stylistic masterpieces is to strip them of the historical, cultural, and literary contexts that might otherwise illuminate them. By focusing primarily on the political, historical, satiric, actively intertextual, and deeply sexualized text of Persuasion, Jocelyn Harris seeks to reconcile the so-called insignificance of her content with her high canonical status, for Austen's interactions with real and imagined worlds prove her to be innovative, even revolutionary. This book answers common assertions that Austen's content is restricted; that being uneducated and a woman, she could only write unconsciously, realistically, and autobiographically of what she knew; that her national and sexual politics were reactionary; and that her novels serve mainly as havens from reality. Such ideas arose from literal readings of Austen's letters, the family's representation of her as a gentle, unlearned genius, and the assumption that she could not write about the Napoleonic Wars. Persuasion is, though, permeated with references to war as well as peace. Harris suggests that Persuasion may respond to Walter Scott's review of Emma, Austen's correspondence with Fanny Knight, hostile reviews of Frances Burney's The Wanderer, contemporary attacks on the novel, and her own defense of fiction in Northanger Abbey. Self-critical in revision, Austen calls on Byron, Shakespeare, Napoleon, and Cook to modify wartime constructions of English masculinity such as Southey's Nelson. Similarly, her critique of Scott's first three novels confirms that her attitude toward class and gender is far from reactionary. |
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... Captain Wentworth is modelled closely on England's hero , Lord Nel- son . Austen keeps the vital role of the navy constantly in view when she turns naval engagements from the West Indies to the Cape of Good Hope , the East Indies ...
... Captain Wentworth had done it . " As usual , however , Austen improves upon her source . By replacing Lady Barbara with Captain Wentworth , the man whom Anne still loves , an impressionistic , erotic charge enters the narrative when ...
... Captain Wentworth fall " rapidly and deeply in love . It would be difficult to say which had seen the highest per- fection in the other , or which had been the happiest . " Sir Walter opposes the " very degrading alliance " on financial ...
... Wentworth lives on to apologize to Anne : " Unjust I may have been , weak ... Captain Went- worth has " no hopes of attaining affluence , " no " alliance ... Wentworth is eventually renewed . Lady Russell must therefore " be suffering ...
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Contenido
20 | |
The Reviser at Work MS Chapter 10 to Chapters XXI 1818 | 36 |
At the White Hart MS Chapter 11 to Chapter XII 1818 | 63 |
The History of Buonaparte | 73 |
Domestic Virtues and National Importance | 91 |
A Critique on Walter Scott | 109 |
Prejudice on the Side of Ancestry | 130 |
The Worth of Lyme | 146 |
The White Glare of Bath | 160 |
Meaning to Have Spring Again | 188 |
A Thoughtless Gay Set | 195 |
Notes | 202 |
248 | |
267 | |
Otras ediciones - Ver todas
A Revolution Almost Beyond Expression: Jane Austen's Persuasion Jocelyn Harris Vista de fragmentos - 2007 |