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rough disposition, and will not submit to learn of Apollo, the god of harmony, how to observe time and measure in affairs, flats and sharps (so to speak) in discourse, the differences between the learned and the vulgar ear, and the times when to speak and when to be silent; such persons, though they be wise and free, and their counsels sound and wholesome, yet with all their efforts to persuade they scarcely can do any good; on the contrary, they rather hasten the destruction of those upon whom they press their advice; and it is not till the evils they predicted have come to pass that they are celebrated as prophets and men of a far foresight. Of this we have an eminent example in Marcus Cato of Utica, by whom the ruin of his country and the usurpation that followed, by means first of the conjunction and then of the contention between Pompey and Cæsar, was long before foreseen as from a watchtower, and foretold as by an oracle; yet all the while he did no good, but did harm rather, and brought the calamities of his country faster on; as was wisely observed and elegantly described by Marcus Cicero, when he said in a letter to a friend, Cato means well: but he does hurt sometimes to the State; for he talks as if he were in the republic of Plato and not in the dregs of Romulus.

II.

TYPHON;

OR THE REBEL.

THE poets tell us that Juno being angry that Jupiter had brought forth Pallas by himself without her help,

implored of all the gods and goddesses that she also might bring forth something without the help of Jupiter to which when wearied with her violence and importunity they had assented, she smote the earth, which quaking and opening gave birth to Typhon, a huge and hideous monster. He was given to a serpent by way of foster-father to be nursed. As soon as he was grown up he made war upon Jupiter, whom in the conflict he took prisoner; and bearing him on his shoulders to a remote and obscure region, cut out the sinews of his hands and feet, and carrying them away, left him there helpless and mutilated. Then came Mercury, and having stolen the sinews from Typhon gave them back to Jupiter, who finding his strength restored attacked the monster again. And first he struck him with a thunderbolt, which made a wound the blood whereof engendered serpents; then, as he fell back and fled, threw upon him the mountain Etna and crushed him beneath the weight.

The fable has been composed in allusion to the variable fortune of kings and the rebellions that occur from time to time in monarchies. For kings and their kingdoms are properly, like Jupiter and Juno, man and wife. But it sometimes happens that the king, depraved by the long habit of ruling, turns tyrant and takes all into his own hands; and not caring for the consent of his nobles and senate, brings forth as it were by himself; that is to say, administers the government by his own arbitrary and absolute authority. Whereat the people aggrieved endeavour on their part to set up some head of their own. This generally begins with the secret solicitation of nobles and great persons, whose connivency being obtained, an attempt is then

made to stir the people. Thence comes a kind of swelling in the State, which is signified by the infancy of Typhon. And this condition of affairs is fostered and nourished by the innate depravity and malignant disposition of the common people, which is to kings like a serpent full of malice and mischief; till the disaffection spreading and gathering strength breaks out at last into open rebellion; which because of the infinite calamities it inflicts both on kings and peoples is represented under the dreadful image of Typhon, with a hundred heads, denoting divided powers; flaming mouths, for devastations by fire; belts of snakes, for the pestilences which prevail, especially in sieges; iron hands, for slaughters; eagle's talons, for rapine; feathery body, for perpetual rumours, reports, trepidations, and the like. And sometimes these rebellions grow so mighty that the king is forced, as if carried off on the shoulders of the rebels, to abandon the seat and principal cities of his kingdom, and to contract his forces, and betake himself, to some remote and obscure province; his sinews both of money and majesty being cut off. And yet if he bears his fortune wisely, he presently by the skill and industry of Mercury recovers those sinews again; that is to say, by affability and wise edicts and gracious speeches he reconciles the minds of his subjects, and awakens in them an alacrity to grant him supplies, and so recovers the vigour of his authority. Nevertheless, having learned prudence and caution, he is commonly unwilling to set all upon the toss of fortune, and therefore avoids a pitched battle, but tries first by some memorable exploit to destroy the reputation of the rebels: in which if he succeed, the rebels feeling themselves shaken and los

ing their confidence, resort first to broken and empty threats, like serpent's hisses, and then finding their case desperate take to flight. And then is the time, when they are beginning to fall to pieces, for the king with the entire forces and mass of his kingdom, as with the mcuntain Ætna, to pursue and overwhelm them.

III.

THE CYCLOPES;

OR MINISTERS OF TERROR.

THE story is that the Cyclopes were at first on account of their fierceness and brutality driven by Jupiter into Tartarus, and condemned to perpetual imprisonment; but afterwards he was persuaded by the Earth that it would be for his interest to release them and employ them to make thunderbolts for him; which he accordingly did; and they with officious industry laboured assiduously with a terrible din in forging thunderbolts and other instruments of terror. In course

of time it happened that Jupiter's wrath was kindled against Esculapius, son of Apollo, for raising a man from the dead by medicine; but because the deed was pious and famous and no just cause of displeasure, he concealed his anger and secretly set the Cyclopes upon him who made no difficulty, but presently dispatched him with their thunderbolts; in revenge whereof Apollo (with Jupiter's permission) slew them with his arrows.

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This fable seems to relate to the doings of kings; by whom cruel and bloody and exacting ministers are

in the first instance punished and put out of office. But afterwards by counsel of the Earth, that is by ignoble and dishonourable counsel, yielding to considerations of utility, they take them into service again, when they have need either of severity of executions or harshness in exactions. They on their part being by nature cruel and by their former fortune exasperated, and knowing well enough what they are wanted for, apply themselves to this kind of work with wonderful diligence; till for want of caution and from over eagerness to ingratiate themselves, they at one time or another (taking a nod or an ambiguous word of the prince for a warrant) perpetrate some execution that is odious and unpopular. Upon which the prince, not willing to take the envy of it upon himself, and well knowing that he can always have plenty of such instruments, throws them overboard, and leaves them to the course of law and the vengeance of the friends and relatives of their victims, and to popular hatred; and so amid much applause of the people, and great acclamations and, blessings on the king, they meet at last, though late, the fate they deserve.

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NARCISSUS is said to have been a young man of wonderful beauty, but intolerably proud, fastidious, and disdainful. Pleased with himself and despising all others, he led a solitary life in the woods and hunt

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