Shakespeare-characters; Chiefly Those SubordinateSmith, Elder & Company, 1863 - 521 páginas |
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... RICHARD II . , • 343 367 XVI . MERCHANT OF VENICE , 387 XVII . HENRY IV . , 413 XVIII . RICHARD III . , 451 XIX . CORIOLANUS , 473 XX . MEASURE FOR MEASURE , 495 SHAKESPEARE - CHARACTERS . I. Macbeth . I. MACBETH . viii Contents .
... RICHARD II . , • 343 367 XVI . MERCHANT OF VENICE , 387 XVII . HENRY IV . , 413 XVIII . RICHARD III . , 451 XIX . CORIOLANUS , 473 XX . MEASURE FOR MEASURE , 495 SHAKESPEARE - CHARACTERS . I. Macbeth . I. MACBETH . viii Contents .
Página 471
... should at the same time be presented with the counterbalan- cing reflection of the ill effects produced upon the mass of the people during the transit of such fiery meteors . XIX . Coriolanus . XIX . CORIOLANUS . and I Richard III . 471.
... should at the same time be presented with the counterbalan- cing reflection of the ill effects produced upon the mass of the people during the transit of such fiery meteors . XIX . Coriolanus . XIX . CORIOLANUS . and I Richard III . 471.
Página 475
Charles Cowden Clarke. XIX . CORIOLANUS . and I DO not suppose that there ever was embodied a more per- fect representation of the abstract principle of aristocratic assumption than we find delineated in the play of " Corio- lanus ...
Charles Cowden Clarke. XIX . CORIOLANUS . and I DO not suppose that there ever was embodied a more per- fect representation of the abstract principle of aristocratic assumption than we find delineated in the play of " Corio- lanus ...
Página 477
... Coriolanus . It is a complete abstraction of the aristocracy of war ; and terribly grand is that bloody pæan . We lose the idea of a woman in the speech , and are absorbed in that pagan personation of contest and carnage . From the ...
... Coriolanus . It is a complete abstraction of the aristocracy of war ; and terribly grand is that bloody pæan . We lose the idea of a woman in the speech , and are absorbed in that pagan personation of contest and carnage . From the ...
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3d Serv action ambition answer Antony Banquo bear Beatrice beauty Benedick British Poets brother Cæsar Caliban Cassio Celia character CHARLES COWDEN CLARKE Clown conduct Coriolanus cousin death Desdemona doth drama Duke Enobarbus eyes faith Falconbridge Falstaff father feeling fellow fool gentle gentleman give Hamlet happy hath hear heart Heaven honest honour human humour husband Iago instinct John Julius Cæsar king Lady Lear Leonato look lord Macbeth Malvolio master Master Doctor merry mind mistress moral murder nature never night noble Octavius Othello passion perfect person philosophy play plot poet poet's poetical Polonius Pompey poor prince qualities queen remarkable replies Richard Richard III Rosalind says scene sense Shakespeare soldier soul speak specimen speech spirit sweet thee thing Thomas Carlyle thou art thought tion true turn Twelfth Night uttered virtue whole wife Winter's Tale woman womanly women words worthy young