Be guided now by me, and you shall buy A pound of pleasure with a dram of trouble.
I hear them tune their instruments-one must
Gentlemen; do not hurry on so fast, And lose the chance of a good pennyworth. I have a pack full of the choicest wares
Get used to this damn'd scraping. Come, I'll lead you Of every sort, and yet in all my bundle
Among them; and what there you do and see, As a fresh compact 'twixt us two shall be. How say you now? this space is wide enough- Look forth, you cannot see the end of it- An hundred bonfires burn in rows, and they Who throng around them seem innumerable: Dancing and drinking, jabbering, making love, And cooking, are at work. Now tell me, friend, What is there better in the world than this?
In introducing us, do you assume The character of wizard or of devil? MEPHISTOPHELES.
In truth, I generally go about In strict incognito; and yet one likes To wear one's orders upon gala days. I have no ribbon at my knee; but here At home, the cloven foot is honourable.
See you that snail there?—she comes creeping up, And with her feeling eyes hath smelt out something I could not, if I would, mask myself here. Come now, we'll go about from fire to fire:
I'll be the pimp, and you shall be the lover.
[To some Old Women, who are sitting round a heap of glimmering coals.
Old gentlewomen, what do you do out here? You ought to be with the young rioters Right in the thickest of the revelry— But every one is best content at home.
We too are active, and we did and do What we ought not, perhaps; and yet we now
Is nothing like what may be found on earth; Nothing that in a moment will make rich Men and the world with fine malicious mischief- There is no dagger drunk with blood; no bowl From which consuming poison may be drain'd By innocent and healthy lips; no jewel, The price of an abandon'd maiden's shame; No sword which cuts the bond it cannot loose, Or stabs the wearer's enemy in the back; No-
There is no rest to-night for any one: When one dance ends another is begun; Come, let us to it; we shall have rare fun.
[FAUST dances and sings with a Girl, and MEPHI- STOPHELES with an Old Woman.
BROCTO-PHANTASMIST.
What is this cursed multitude about?
Have we not long since proved to demonstration That ghosts move not on ordinary feet?
But these are dancing just like men and women.
Will seize, whilst all things are whirl'd round and round, What does he want then at our ball?
A spoke of Fortune's wheel, and keep our ground.
Who now can taste a treatise of deep sense And ponderous volume? 't is impertinence To write what none will read, therefore will I To please the young and thoughtless people try. MEPHISTOPHELES (who at once appears to have grown very old).
I find the people ripe for the last day,
Since I last came up to the wizard mountain; And as my little cask runs turbid now,
So is the world drain'd to the dregs.
Is far above us all in his conceit : Whilst we enjoy, he reasons of enjoyment; And any step which in our dance we tread, If it be left out of his reckoning, Is not to be consider'd as a step.
There are few things that scandalize him not: And when you whirl round in the circle now, As he went round the wheel in his old mill, He
says that you go wrong in all respects, Especially if you congratulate him
Upon the strength of the resemblance.
Vanish! Unheard of impudence! What, still there!
In this enlightened age too, since you have been Proved not to exist!-But this infernal brood Will hear no reason and endure no rule. Are we so wise, and is the pond still baunted? How long have I been sweeping out this rubbish Of superstition, and the world will not Come clean with all my pains!-it is a case Unheard of!
Then leave off teasing us so.
BROCTO-PHANTASMIST.
I tell you, spirits, to your faces now, That I should not regret this despotism Of spirits, but that mine can wield it not. To-night I shall make poor work of it; Yet I will take a round with you, and hope Before my last step in the living dance To beat the poet and the devil together.
At last he will sit down in some foul puddle! That is his way of solacing himself; Until some leech, diverted with his gravity, Cures him of spirits and the spirit together.
[TO FAUST, who has seceded from the dance. WILD, pale, and wonder-stricken, even as one
Why do you let that fair girl pass from you, Who sung so sweetly to you in the dance?
A red mouse in the middle of her singing Sprang from her mouth.
Who staggers forth into the air and sun From the dark chamber of a mortal fever, Bewilder'd, and incapable, and ever Fancying strange comments in her dizzy brain Of usual shapes, till the familiar train Of objects and of persons pass'd like things
That was all right, my friend; Strange as a dreamer's mad imaginings,
Be it enough that the mouse was not grey. Do not disturb your hour of happiness With close consideration of such trifles.
Seest thou not a pale Fair girl, standing alone, far, far away? She drags herself now forward with slow steps, And seems as if she moved with shackled feet: I cannot overcome the thought that she Is like poor Margaret.
Let it be-pass on- No good can come of it-it is not well To meet it-it is an enchanted phantom, A lifeless idol; with its numbing look, It freezes up the blood of man; and they Who meet its ghastly stare are turn'd to stone, Like those who saw Medusa.
Her eyes are like the eyes of a fresh corpse Which no beloved hand has closed, alas! That is the heart which Margaret yielded to me- Those are the lovely limbs which I enjoy'd!
It is all magic, poor deluded fool! She looks to every one like his first love.
Oh, what delight! what woe! I cannot turn My looks from her sweet piteous countenance. How strangely does a single blood-red line,
Ginevra from the nuptial altar went; The vows to which her lips had sworn assent Rung in her brain still with a jarring din, Deafening the lost intelligence within.
And so she moved under the bridal veil, Which made the paleness of her cheek more pale, And deepen'd the faint crimson of her mouth, And darken'd her dark locks, as moonlight doth,- And of the gold and jewels glittering there She scarce felt conscious,-but the weary glare Lay like a chaos of unwelcome light, Vexing the sense with gorgeous undelight. A moonbeam in the shadow of a cloud Was less heavenly fair-her face was bow'd, And as she pass'd, the diamonds in her hair Were mirror'd in the polish'd marble stair Which led from the cathedral to the street; And ever as she went her light fair feet Erased these images.
The bride-maidens who round her thronging came, Some with a sense of self-rebuke and shame, Envying the unenviable; and others
Making the joy which should have been another's Their own by gentle sympathy; and some Sighing to think of an unhappy home: . Some few admiring what can ever lure Maidens to leave the heaven serene and pure Of parents' smiles for life's great cheat; a thing Bitter to taste, sweet in imagining.
This fragment is part of a poem which Mr Shelley intended to write, founded on a story to be found in the first volume of a book entitled L'Osservatore Fiorentino."
But they are all dispersed—and, lo! she stands Looking in idle grief on her white hands, Alone within the garden now her own; And through the sunny air, with jangling tone, The music of the merry marriage bells, Killing the azure silence, sinks and swells;- Absorb'd like one within a dream who dreams That he is dreaming, until slumber seems A mockery of itself-when suddenly Antonio stood before her, pale as she. With agony, with sorrow, and with pride, He lifted his wan eyes upon the bride, And said- Is this thy faith ?» and then as one Whose sleeping face is stricken by the sun With light like a harsh voice, which bids him rise And look upon his day of life with eyes
Which in vain that they can dream no more, weep Ginevra saw her lover, and forbore
To shriek or faint, and check'd the stifling blood Rushing upon her heart, and unsubdued Said— Friend, if earthly violence or ill, Suspicion, doubt, or the tyrannic will
Of parents, chance, or custom, time or change, Or circumstance, or terror, or revenge, Or wilder'd looks, or words, or evil speech, With all their stings [ ] can impeach
Our love, we love not:-if the grave which hides The victim from the tyrant, and divides
The cheek that whitens from the eyes that dart Imperious inquisition to the heart
That is another's, could dissever ours,
We love not.« What, do not the silent hours Beckon thee to Gherardi's bridal-bed? Is not that ring»——a pledge, he would have said, Of broken vows, but she with patient look The golden circle from her finger took, And said-- Accept this token of my faith, The pledge of vows to be absolved by death; And I am dead or shall be soon-my knell Will mix its music with that merry bell: Does it not sound as if they sweetly said, We toll a corpse out of the marriage-bed?" The flowers upon my bridal-chamber strewn Will serve unfaded for my bier-so soon That even the dying violet will not die Before Ginevra.. The strong fantasy Had made her accents weaker and more weak, And quench'd the crimson life upon her cheek, And glazed her eyes, and spread an atmosphere Round her, which chill'd the burning noon with fear, Making her but an image of the thought, Which, like a prophet or a shadow, brought News of the terrors of the coming time. Like an accuser branded with the crime He would have cast on a beloved friend, Whose dying eyes reproach not to the end The pale betrayer-be then with vain repentance Would share, he cannot now avert, the sentenceAntonio stood and would have spoken, when The compound voice of women and of men Was heard approaching; he retired, while she Was led amid the admiring company Back to the palace,—and her maidens soon Changed her attire for the afternoon, And left her at her own request to keep An hour of quiet and rest :-like one asleep
With open eyes and folded hands she lay, Pale in the light of the declining day.
Meanwhile the day sinks fast, the sun is set, And in the lighted hall the guests are met; The beautiful looked lovelier in the light Of love, and admiration, and delight Reflected from a thousand hearts and eyes, Kindling a momentary Paradise.
This crowd is safer than the silent wood, Where love's own doubts disturb the solitude; On frozen hearts the fiery rain of wine Falls, and the dew of music more divine Tempers the deep emotions of the time To spirits cradled in a sunny clime:How many meet, who never yet have To part too soon, but never to forget. How many saw the beauty, power and wit Of looks and words which ne'er enchanted yet; But life's familiar veil was now withdrawn, As the world leaps before an earthquake's dawn, And unprophetic of the coming hours, The matin winds from the expanded flowers Scatter their hoarded incense, and awaken The earth, until the dewy sleep is shaken From every living heart which it possesses, Through seas and winds, cities and wildernesses, As if the future and the past were all
Treasured i' the instant;
-so Gherardi's hall Laugh'd in the mirth of its lord's festival, Till some one ask'd- Where is the Bride?" A bride's-maid went,-and ere she came again A silence fell upon the guests—a pause Of expectation, as when beauty awes All hearts with its approach, though unbeheld; Then wonder, and then fear that wonder quell'd ;— For whispers pass'd from mouth to ear which drew The colour from the hearer's cheeks, and flew Louder and swifter round the company; And then Gherardi enter'd with an eye Of ostentatious trouble, and a crowd Surrounded him, and some were weeping loud.
They found Ginevra dead! if it be death, To lie without motion, or pulse, or breath, With waxen cheeks, and limbs cold, stiff, and white, And open eyes, whose fix'd and glassy light Mock'd at the speculation they had own'd. If it be death, when there is felt around A smell of clay, a pale and icy glare, And silence, and a sense that lifts the hair From the scalp to the ancles, as it were Corruption from the spirit passing forth, And giving all it shrouded to the earth, And leaving as swift lightning in its flight Ashes, and smoke, and darkness: in our night Of thought we know thus much of death,—no more Than the unborn dream of our life before Their barks are wreck'd on its inhospitable shore. The marriage feast and its solemnity Was turn'd to funeral pomp-the company With heavy hearts and looks, broke up ; nor they Who loved the dead went weeping on their way Alone, but sorrow mix'd with sad surprise Loosen'd the springs of pity in all eyes, On which that form, whose fate they weep in vain, Will never, thought they, kindle smiles again.
Some melted into tears without a sob,
And some with hearts that might be heard to throb Leant on the table, and at intervals
Shudder'd to hear through the deserted halls And corridors the thrilling shrieks which came Upon the breeze of night, that shook the flame Of every torch and taper as it swept From out the chamber where the women kept;- Their tears fell on the dear companion cold Of pleasures now departed; then was knoll'd The bell of death, and soon the priests arrived, And finding death their penitent had shrived, Return'd like ravens from a corpse whereon A vulture has just feasted to the bone. And then the mourning women came.-
And they seem hours, since in this populous street I trod on grass made green by summer's rain, For the red plague kept state within that palace Where now reigns vanity-in nine years more The roots will be refresh'd with civil blood; And thank the mercy of insulted Heaven That sin and wrongs wound, as an orphan's cry, The patience of the great Avenger's ear. THIRD SPEAKER (a youth).
Yet, father, 't is a happy sight to see, Beautiful, innocent, and unforbidden By God or man; 't is like the bright procession Of skiey visions in a solemn dream
From which men wake as from a paradise,
And draw new strength to tread the thorns of life. If God be good, wherefore should this be evil? And if this be not evil, dost thou not draw Unseasonable poison from the flowers Which bloom so rarely in this barren world? O, kill these bitter thoughts, which make the present Dark as the future!--
London will be soon his Rome: he walks
As if he trod upon the heads of men.
He looks elate, drunken with blood and gold;- Beside him moves the Babylonian woman Invisibly, and with her as with his shadow, Mitred adulterer! he is joiu'd in sin, Which turns Heaven's milk of mercy to revenge. ANOTHER CITIZEN (lifting up his eyes). Good Lord! rain it down upon him. [ J Amid her ladies walks the papist queen, As if her nice feet scorn'd our English earth. There's old Sir Henry Vane, the Earl of Pembroke, Lord Essex, and Lord Keeper Coventry, And others who make base their English breed By vile participation of their honours
Nobles, and sons of nobles, patentees, Monopolists, and stewards of this poor farm, On whose lean sheep sit the prophetic crows. Here is the pomp that strips the houseless orphan, Here is the pride that breaks the desolate heart. These are the lilies glorious as Solomon, Who toil not, neither do they spin,-unless It be the webs they catch poor rogues withal. Here is the surfeit which to them who earn The niggard wages of the earth, scarce leaves The tithe that will support them till they crawl Back to its cold hard bosom. Here is health Follow'd by grim disease, glory by shame, Waste by lame famine, wealth by squalid want, And England's sin by England's punishment. And, as the effect pursues the cause foregone, Lo, giving substance to my words, behold At once the sign and the thing signified- A troop of cripples, beggars, and lean outcasts, Horsed upon stumbling shapes, carted with dung,
Go, sirrah, and repent of your offence
Ten minutes in the rain: be it your penance
To bring news how the world goes there. Poor Archy He weaves about himself a world of mirth
Out of this wreck of ours.
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