Deadly Thought: Hamlet and the Human SoulLexington Books, 2001 - 405 páginas The human soul is for pre-modern philosophers the cause of both thinking and life. This double aspect of the soul, which makes man a rational animal, expresses itself above all in human action. Deadly Thought: 'Hamlet' and the Human Soul traces Hamlet's famous inability to act to his inability to hold together these twin aspects of the soul. Combining careful attention to detail and interpretive breadth, noted scholar Jan H. Blits deftly illustrates how Hamlet collapses life into thought, and moral action into stage acting, and ultimately comes to see his own life as a stage play. Hamlet, the book demonstrates, epitomizes the intellectualism of the Renaissance and the modern age it began, and so becomes tragedy's first self-conscious protagonist, signaling the end of ancient tragedy. Erudite, innovative, and lively, Deadly Thought is a ground-breaking contribution that will appeal to Shakespeare scholars, political theorists, historians of philosophy, literary theorists and anyone interested in a truly fresh interpretation of this classic work. |
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Página 170
... guilt . Whereas the one was morally untouched , the other , Hamlet seems to think , would be morally repentant or reformed . Thus , instead of his earlier thought or hope that some sort of providence eventually reveals all crimes ...
... guilt . Whereas the one was morally untouched , the other , Hamlet seems to think , would be morally repentant or reformed . Thus , instead of his earlier thought or hope that some sort of providence eventually reveals all crimes ...
Página 200
... guilt . Horatio does not ask , and Hamlet does not say . Even though Hamlet has told him of the circumstances of his father's murder , there is no sign that Hora- tio has ever asked , or that he and Hamlet have ever discussed , what ...
... guilt . Horatio does not ask , and Hamlet does not say . Even though Hamlet has told him of the circumstances of his father's murder , there is no sign that Hora- tio has ever asked , or that he and Hamlet have ever discussed , what ...
Página 279
... guilt , It spills itself in fearing to be spilt . ( 4.5.17-20 ) This is the second and last time Gertrude speaks of her soul . The first was in the closet scene when she begged Hamlet to stop tongue - lashing her ( 3.4.88ff . ) . These ...
... guilt , It spills itself in fearing to be spilt . ( 4.5.17-20 ) This is the second and last time Gertrude speaks of her soul . The first was in the closet scene when she begged Hamlet to stop tongue - lashing her ( 3.4.88ff . ) . These ...
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accuses action actors answer appearance Aristotle asks Barnardo birth body cause Christian Cicero Clau Claudius Claudius's conscience corpse Dane Danish dead death deed Denmark describes despite Diogenes Laertius dius double drama emphasizes explicitly father fear final Fortinbras Fortinbras's fortune Gertrude Gertrude's Ghost God's Gonzago grave Grave-digger Grave-digger's guilt Hamlet says Hamlet seems hath hear heaven Hecuba hendiadys Horatio imitation incest Jephthah kill King Hamlet King's Laertes Laertes's letter lines lonius lord man's Marcellus marriage means mentions metaphor moral mother murder nature never noble old Hamlet once one's Ophelia Osric play play's Player King Plutarch political Polonius Polonius's praise question Quintilian reason refers revenge rhetoric Roman Rosencrantz and Guildenstern royal scene sense Shakespeare silent soliloquy soul speaks speech Stoic Stoicism suggests tell theatrical thee thing thou thought tion tragedy turns twice virtue vows warning words