Passion Made Public: Elizabethan Lyric, Gender, and PerformanceUniversity of Illinois Press, 1995 - 279 páginas |
Dentro del libro
Resultados 1-5 de 40
Página 4
... particular dramatic narrative . The sonnet's vocal mutuality clearly unites the lovers against the background noise of Capulet's ball ; at the same time , Juliet's refusal to be seduced ( both here and in the famous " balcony scene ...
... particular dramatic narrative . The sonnet's vocal mutuality clearly unites the lovers against the background noise of Capulet's ball ; at the same time , Juliet's refusal to be seduced ( both here and in the famous " balcony scene ...
Página 8
... particular audience obviously does not erase the playwright's own investment and mark in the collabora- tive cultural production , but surely complicates our reading of poetic voice and agency . Thus when we look at court pageants and ...
... particular audience obviously does not erase the playwright's own investment and mark in the collabora- tive cultural production , but surely complicates our reading of poetic voice and agency . Thus when we look at court pageants and ...
Página 9
... particular queens but also to the multiple aspects of queenship which made Elizabeth exceptional as a woman ( includ- ing the spiritual and legal sovereign " body " which theoretically transcended femininity ) ; nevertheless the ...
... particular queens but also to the multiple aspects of queenship which made Elizabeth exceptional as a woman ( includ- ing the spiritual and legal sovereign " body " which theoretically transcended femininity ) ; nevertheless the ...
Página 12
... particular . The titular phrase , which the poet announces as borrowed from a distinguished Italian author ( hence carrying a typically ironic claim to shared authority , despite its literal anxiety ) , refers to Gas- coigne's censoring ...
... particular . The titular phrase , which the poet announces as borrowed from a distinguished Italian author ( hence carrying a typically ironic claim to shared authority , despite its literal anxiety ) , refers to Gas- coigne's censoring ...
Página 16
... particular possibilities and limits of Petrarchism were not lost on Elizabethan poet - playwrights . " Language most shewes a man : speake that I may see thee , " wrote Ben Jonson in his Timbre , or Discoveries ( Herford and Simpson 625 ) ...
... particular possibilities and limits of Petrarchism were not lost on Elizabethan poet - playwrights . " Language most shewes a man : speake that I may see thee , " wrote Ben Jonson in his Timbre , or Discoveries ( Herford and Simpson 625 ) ...
Contenido
Elizabethan Contexts | 33 |
Elizabeths Watchful Eye and George Peeks Court Drama Female Power and the Lyric of Praise | 85 |
Unhappy Dido Marlowes Lyric Strains | 120 |
Shakespeares Laboring Lovers Lyric and Its Discontents | 167 |
Legacy | 214 |
251 | |
267 | |
Términos y frases comunes
Aeneas Aeneas's aesthetic aristocratic Arraignment of Paris artistic audience authority beauty Berowne Berowne's characters Christopher Marlowe Colin comic complex context courtiers courtly love courtly lyricism create critical cultural desire Diana Dido Dido's discourse earthly echo Elizabeth Elizabethan Elizabethan lyrical emphasizes English erotic female power female sovereignty feminine fiction figure Gascoigne Gascoigne's gender George Gascoigne George Peele goddess ideal Kenilworth ladies language literary lords love lyrics Love's Labour's Lost lovers lyric poetry lyrical drama lyricist male Marlowe Marlowe's lyric marriage masculine Midsummer Night's Dream moral narrative Neoplatonic obviously Oenone onstage pageant passion Peele Peele's performance perspective Petrarchan Petrarchan sonnets Petrarchism play's playwright poem poet poetic political praise queen representation rhetoric role romantic Romeo and Juliet Rosaline satiric scene sexual Shakespeare's Sidney Sidney's social song sonnet sovereign speaker speech Spenser stage style Tamburlaine temporal tensions theatrical thou tion tradition tropes verse vision voice woman women words
Pasajes populares
Página 5 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Página 21 - O western wind, when wilt thou blow, That the small rain down can rain? Christ, that my love were in my arms, And I in my bed again!
Página 1 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Referencias a este libro
Sonnet Sequences and Social Distinction in Renaissance England Christopher Warley Vista previa limitada - 2005 |
Dwelling in Possibility: Women Poets and Critics on Poetry Yopie Prins,Maeera Shreiber Vista previa limitada - 1997 |