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THOMAS PARNELL.

TRONAS

HOMAS PARNELL, an agreeable poet, was descended from an ancient family in Cheshire. His father, who was attached to the cause of the Par. liament in the civil wars of Charles I., withdrew to Ireland after the Restoration, where he purchased an estate. His eldest son, Thomas, was born at Dublin, in 1679, and received his school education in that city. At an early age he was removed to the college, where he was admitted to the degree of M. A. in 1700, took deacon's orders in the same year, and was ordained priest three years afterwards. In 1705 he was presented to the archdeaconry of Clogher, and about the same time married a lady of great beauty and merit. He now began to make those frequent excursions to England, in which the most desirable part of his life was thenceforth spent. His first connections were principally with the Whigs, at that time in power; and Addison, Congreve, and Steele arc named among his chief companions. When, at the

latter part of Queen Anne's reign, the Tories were triumphant, Parnell deserted his former friends, and associated with Swift, Pope, Gay, and Arbuthnot. Swift introduced him to Lord-Treasurer Harley ; and, with the dictatorial air which he was fond of assuming, insisted upon the Treasurer's going with his staff in his hand into the antichamber, where Parnell was waiting to welcome him. It is said of this poet, that every year, as soon as he had collected the rents of his estate, and the revenue of his benefices, he came over to England, and spent some months, living in an elegant style, and rather impairing than improving his fortune. At this time he was an assiduous preacher in the London pulpits, with the intention of rising to notice; but the change of the ministry at Queen Anne's death put an end to his more brilliant prospects in the church. By means, however, of Swift's recommendation to Archbishop King, he obtained a prebend, and the valuable living of Finglass.

His domestic happiness received a severe shock in 1712, by the death of his beloved wife; and it was the effect on his spirits of this affliction which led him into such a habit of intemperance in wine as shortened his days. This, at least, is the gloss put upon the circumstance by his historian, Goldsmith, who represents him, “ as in some measure a martyr to conjugal fidelity.” But it can scarcely be doubted, that this mode of life had already been formed when his very unequal spirits had required the aid of a glass for his support. He died at Chester, on his way to Ireland, in July 1717, in

the thirty-eighth year of his age, and was buried in Trinity Church, in that city.

Parnell was the author of several pieces, both in prose and verse; but it is only by the latter that he is now known. Of these a collection was published by Pope, with a dedication to the Earl of Oxford. Their characters are ease, sprightliness, fancy, clearness of language, and melody of versification ; and though not ranking among the most finished productions of the British muse, they claim a place among the most pleasing. A large addition to these was made in a work printed in Dublin, in 1758, of which Dr. Johnson says, “ I know not whence they came, nor have ever enquired whither they are going.”

FAIRY TALE,

IN THE ANCIENT ENGLISH STYLL.

In Britain's isle, and Arthur's days,
When midnight fairies danc'd the maze,

Liv'd Edwin of the Green ;
Edwin, I wis, a gentle youth,
Endow'd with courage, sense, and truth

Though badly shap'd he'd been.

His mountain back mote well be said,
To measure height against his head,

And lift itself above :
Yet, spite of all that Nature did
To make his uncouth form forbid,

This creature dar'd to love.

He felt the charms of Edith's eyes,
Nor wanted hope to gain the prize,

Could ladies look within ;
But one sir Topaz dress'd with art,
And, if a shape could win a heart,

He had a shape to win,
Edwin, if right I read my song,
With slighted passion pac'd along

All in the moony light ;
'Twas near an old enchanted court,
Where sportive fairies made resort

To revel out the night. His heart was drear, his hope was cross'd, 'Twas late, 'twas far, the path was lost

That reach'd the neighbour-town;
With weary steps he quits the shades,
Resolv'd, the darkling dome he treads,

And drops his limbs adown.
But scant he lays him on the floor,
When hollow winds remove the door,

And trembling rocks the ground :
And, well I ween to count aright,
At once a hundred tapers light

On all the walls around.

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Now sounding tongues assajl his ear,
Now sounding feet approached near,

And now the sounds increase :
And from the corner where he lay
He sees a train profusely gay,

Come prankling o'er the place.
But (trust me, gentles !) never yet
Was dight a masquing half so neat,

Or half so rich before ;
The country lent the sweet perfumes,
The sea the pearl, the sky the plumes,

The town its silken store,

Now whilst he gaz'd, a gallant drest
In flaunting robes above the rest,

With awful accent cry'd;
What mortal of a wretched mind,
Whose sighs infect the balmy wind,

Has here presum'd to hide ? At this the swain, whose venturous soul No fears of magic art control,

Advanc'd in open sight; “ Nor have I cause of dreed,” he said, “ Who view, by no presumption led,

Your revels of the night. “ 'Twas grief, for scorn of faithful love, Which made my steps unweeting rove

Amid the nightly dew." “ 'Tis well,” the gallant cries again, 66 We fairies never injure men

Who dare to tell us true.

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