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sex to ask his name. One Cavalier bends, with a wild oath, to search the pockets of a slain enemy;-it is his own brother. O'Neal slays a standard-bearer, and thus restores to his company the right to bear a flag, a right they lost at Hopton Heath; Legge is taken prisoner and escapes; Urry proves himself no coward, though a renegade, and is trusted to bear to Oxford the news of the victory, being raised to knighthood in return.

For a victory of course it is. Nothing in England can yet resist these high-born, dissolute, reckless Cavaliers of Rupert's. "I have seen them running up walls twenty feet high," said the engineer consulted by the frightened citizens of Dorchester; "these defences of yours may possibly keep them out half an hour." Darlings of triumphant aristocracy, they are destined to meet with no foe that can match them, until they recoil at last before the plebeian pikes of the London train-bands. Nor can even Rupert's men claim to monopolize the courage of the King's party. The brilliant "show-troop" of Lord Bernard Stuart, comprising the young nobles having no separate command,-a troop which could afford to indulge in all the gorgeousness of dress, since their united incomes, Clarendon declares, would have exceeded those of the whole Puritan Parliament,-led, by their own desire, the triumphant charge at Edgehill, and threescore of their bodies were found piled on the spot where the Royal Standard was captured and rescued. Not less faithful were the Marquis of Newcastle's "Lambs," who took their name from the white woollen clothing which they refused to have dyed, saying that their hearts' blood would dye it soon enough; and so it did: only thirty survived the battle of Marston Moor, and the bodies of the rest were found in the field, ranked regularly, side by side, in death as in life.

But here at Chalgrove Field no such fortitude of endurance is needed; the enemy are scattered, and, as Rupert's Cavaliers are dashing on, in their accustomed headlong pursuit, a small, but

fresh force of Puritan cavalry appears behind the hedges and charges on them from the right, two troops, hastily gathered, and in various garb. They are headed by a man in middle life and of noble aspect: once seen, he cannot easily be forgotten; but seen he will never be again, and, for the last time, Rupert and Hampden meet face to face.

The foremost representative men of their respective parties, they scarcely remember, perhaps, that there are ties and coincidences in their lives. At the marriage of Rupert's mother, the student Hampden was chosen to write the Oxford epithalamium, exulting in the prediction of some noble offspring to follow such a union. Rupert is about to be made General-in-chief of the Cavaliers; Hampden is looked to by all as the future General-in-chief of the Puritans. Rupert is the nephew of the King,Hampden the cousin of Cromwell; and as the former is believed to be aiming at the Crown, so the latter is the only possible rival of Cromwell for the Protectorate," the eyes of all being fixed upon him as their pater patria." But in all the greater qualities of manhood, how far must Hampden be placed above the magnificent and gifted Rupert! In a congress of natural noblemen-for such do the men of the Commonwealth appear-he must rank foremost. It is difficult to avoid exaggeration in speaking of these men,-men whose deeds vindicate their words, and whose words are unsurpassed by Greek or Roman fame, -men whom even Hume can only criticize for a "mysterious jargon" which most of them did not use, and for a "vulgar hypocrisy" which few of them practised. Let us not underrate the selfforgetting loyalty of the Royalists,― the Duke of Newcastle laying at the King's feet seven hundred thousand pounds, and the Marquis of Worcester a million; but the sublimer poverty and abstinence of the Parliamentary party deserve a yet loftier meed, - Vane surrendering an office of thirty thousand pounds a year to promote public economy,-Hutchin

son refusing a peerage and a fortune as a bribe to hold Nottingham Castle a little while for the King,-Eliot and Pym bequeathing their families to the nation's justice, having spent their all for the good cause. And rising to yet higher attributes, as they pass before. us in the brilliant paragraphs of the courtly Clarendon, or the juster modern estimates of Forster, it seems like a procession of born sovereigns; while the more pungent epithets of contemporary wit only familiarize, but do not mar, the fame of Cromwell, (Cleaveland's "Cæsar in a Clown,")—" William the Conqueror" Waller,-" young Harry" Vane, -"fiery Tom" Fairfax, - and "King Pym." But among all these there is no peer of Hampden, of him who came not from courts or camps, but from the tranquil study of his Davila, from that thoughtful retirement which was for him, as for his model, Coligny, the school of all noble virtues, came to find himself at once a statesman and a soldier, receiving from his contemporary, Clarendon, no affectionate critic, the triple crown of historic praise, as being "the most able, resolute, and popular person in the kingdom." Who can tell how changed the destiny of England, had the Earl of Bedford's first compromise with the country party succeeded, and Hampden become the tutor of Prince Charles,--or could this fight at Chalgrove Field issue differently, and Hampden survive to be general instead of Essex, and Protector in place of Cromwell?

But that may not be. Had Hampden's earlier counsels prevailed, Rupert never would have ventured on his night foray; had his next suggestions been followed, Rupert never would have returned from it. Those failing, Hampden has come, gladly followed by Gunter and his dragoons, outstripping the tardy Essex, to dare all and die. In vain does Gunter perish beside his flag; in vain does Crosse, his horse being killed under him, spring in the midst of battle on another; in vain does "that great-spirited little Sir Samuel Luke" (the original of Hudibras) get

thrice captured and thrice escape. For Hampden, the hope of the nation, is fatally shot through the shoulder with two carbine-balls, in the first charge; the whole troop sees it with dismay; Essex comes up, as usual, too late, and the fight at Chalgrove Field is lost.

We must leave this picture, painted in the fading colors of a far-off time. Let us leave the noble Hampden, weak and almost fainting, riding calmly from the field, and wandering away over his own Chiltern meadows, that he loves so well, -leave him, drooping over his saddle, directing his horse first towards his father-in-law's house at Pyrton, where once he wedded his youthful bride, then turning towards Thame, and mustering his last strength to leap his tired steed across its boundary brook. A few days of laborious weakness, spent in letter-writing to urge upon Parliament something of that military energy which, if earlier adopted, might have saved his life, —and we see a last, funereal procession winding beneath the Chiltern hills, and singing the 90th Psalm as the mourners approach the tomb of the Hampdens, and the 43d as they return. And well may the "Weekly Intelligencer" say of him, (June 27, 1643,) that "the memory of this deceased Colonel is such that in no age to come but it will more and more be had in honor and esteem; a man so religious, and of that prudence, judgment, temper, valor, and integrity, that he hath left few his like behind him."

And we must leave Rupert to his career of romantic daring, to be made President of Wales and Generalissimo of the army,-to rescue with unequalled energy Newark and York and the besieged heroine of Lathom House,-to fight through Newbury and Marston Moor and Naseby, and many a lesser field,—to surrender Bristol and be acquitted by court-martial, but hopelessly condemned by the King;

then to leave the kingdom, refusing a passport, and fighting his perilous way to the seaside-then to wander over the world for years, astonishing Dutchmen by his seamanship, Austrians by his soldier

ship, Spaniards and Portuguese by his buccaneering powers, and Frenchmen by his gold and diamonds and birds and monkeys and "richly-liveried Blackamoors";-then to reorganize the navy of England, exchanging characters with his fellow-commander, Monk, whom the ocean makes rash, as it makes Rupert prudent; leave him to use nobly his declining years, in studious toils in Windsor Castle, the fulfilment of Milton's dream, outwatching the Bear with thrice-great Hermes, surrounded by strange old arms and instruments, and maps of voyages, and plans of battles, and the abstruse library which the "Harleian Miscellany" still records;-leave him to hunt and play at tennis, serve in the Hudson's Bay Company and the Board of Trade; -leave him to experiment in alchemy and astrology, in hydraulics, metallurgy,

gunpowder, perspective, quadrants, mezzotint, fish-hooks, and revolvers;-leave him to look from his solitary turret over hills and fields, now peaceful, but each the scene of some wild and warlike memory for him;-leave him to die a calm and honored death at sixty-three, outliving every companion of his early days. The busy world, which has no time to remember many, forgets him and remembers only the slain and defeated Hampden. The brilliant renown of the Prince was like the glass toys which record his ingenuity and preserve his name; the hammer and the anvil can scarcely mar them, yet a slight pressure of the finger, in the fatal spot, will burst them into glittering showers of dust. The full force of those iron times beat ineffectual upon Rupert; Death touched him, and that shining fame sparkled and was shattered forever.

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VOL. III.

SPRING.

An! my beautiful violets,
Stirring under the sod,
Feeling, in all your being,

The breath of the spirit of God
Thrilling your delicate pulses,
Warming your life-blood anew,-
Struggle up into the Spring-light;

I'm watching and waiting for you.

Stretch up your white arms towards me,
Climb and never despair ;

Come! the blue sky is above you,

Sunlight and soft warm air.

Shake off the sleep from your eyelids,

Work in the darkness awhile,
Trust in the light that's above you,
Win your way up to its smile.

Ah! do you know how the May-flowers,
Down on the shore of the lake,
Are whispering, one to another,
All in the silence, "Awake!"
Blushing from under the pine-leaves,
Soon they will greet me anew,—
But still, oh, my beautiful violets,
I'll be watching and longing for you.

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THE STEREOSCOPE AND THE STEREOGRAPH.

DEMOCRITUS of Abdera, commonly known as the Laughing Philosopher, probably because he did not consider the study of truth inconsistent with a cheerful countenance, believed and taught that all bodies were continually throwing off certain images like themselves, which subtile emanations, striking on our bodily organs, gave rise to our sensations. Epicurus borrowed the idea from him, and incorporated it into the famous system, of which Lucretius has given us the most popular version. Those who are curious on the matter will find the poet's description at the beginning of his fourth book. Forms, effigies, membranes, or films, are the nearest representatives of the terms applied to these effluences. They are perpetually shed from the surfaces of solids, as bark is shed by trees. Cortex is, indeed, one of the names applied to them by Lucretius.

These evanescent films may be seen in one of their aspects in any clear, calm sheet of water, in a mirror, in the eye of an animal by one who looks at it in front, but better still by the consciousness behind the eye in the ordinary act of vision. They must be packed like the leaves of a closed book; for suppose a mirror to give an image of an object a mile off, it will give one at every point less than a mile, though this were subdivided into a million parts. Yet the images will not be the same; for the one taken a mile off will be very small, at half a mile as large again, at a hundred feet fifty times as large, and so on, as long as the mirror can contain the image.

of man he was. These visible films or
membranous exuvia of objects, which the
old philosophers talked about, have no
real existence, separable from their illu- '
minated source, and perish instantly when
it is withdrawn.

If a man had handed a metallic specu lum to Democritus of Abdera, and told him to look at his face in it while his heart was beating thirty or forty times, promising that one of the films his face was shedding should stick there, so that neither he, nor it, nor anybody should forget what manner of man he was, the Laughing Philosopher would probably have vindicated his claim to his title by an explosion that would have astonished the speaker.

This is just what the Daguerreotype has done. It has fixed the most fleeting of our illusions, that which the apostle and the philosopher and the poet have alike used as the type of instability and unreality. The photograph has completed the triumph, by making a sheet of paper reflect images like a mirror and hold them as a picture.

This triumph of human ingenuity is the most audacious, remote, improbable, incredible, the one that would seem least likely to be regained, if all traces of it were lost, of all the discoveries man has made. It has become such an everyday matter with us, that we forget its miraculous nature, as we forget that of the sun itself, to which we owe the crea tions of our new art. Yet in all the prophecies of dreaming enthusiasts, in all the random guesses of the future conUnder the action of light, then, a body quests over matter, we do not remember makes its superficial aspect potentially any prediction of such an inconceivable present at a distance, becoming appre- wonder, as our neighbor round the corciable as a shadow or as a picture. But ner, or the proprietor of the small house remove the cause,-the body itself,—and on wheels, standing on the village comthe effect is removed. The man behold- mon, will furnish any of us for the most eth himself in the glass and goeth his painfully slender remuneration. No Cenway, and straightway both the mirror tury of Inventions includes this among and the mirrored forget what manner its possibilities. Nothing but the vision

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of a Laputan, who passed his days in extracting sunbeams out of cucumbers, could have reached such a height of delirium as to rave about the time when a man should paint his miniature by looking at a blank tablet, and a multitudinous wilderness of forest foliage or an endless Babel of roofs and spires stamp itself, in a moment, so faithfully and so minutely, that one may creep over the surface of the picture with his microscope and find every leaf perfect, or read the letters of distant signs, and see what was the play at the Variétés" or the Victoria," on the evening of the day when it was taken, just as he would sweep the real view with a spy-glass to explore all that it contains.

66

Some years ago, we sent a page or two to one of the magazines,-the "Knickerbocker," if we remember aright,-in which the story was told from the "Arabian Nights," of the three kings' sons, who each wished to obtain the hand of a lovely princess, and received for answer, that he who brought home the most wonderful object should obtain the lady's hand as his reward. Our readers, doubtless, remember the original tale, with the flying carpet, the tube which showed what a distant friend was doing by looking into it, and the apple which gave relief to the most desperate sufferings only by inhalation of its fragrance. The railroad-car, the telegraph, and the appleflavored chloroform could and do realize, every day, as was stated in the passage referred to, with a certain rhetorical amplitude not doubtfully suggestive of the lecture-room, all that was fabled to have been done by the carpet, the tube, and the fruit of the Arabian story.

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a day, and if, in consequence of any defect of rail or carriage, you should be so injured that your own very insignificant walking members must be taken off, I can make the surgeon's visit a pleasant dream for you, on awaking from which you will ask when he is coming to do that which he has done already,- what is the use of poetical or rhetorical amplification? But this other invention of the mirror with a memory, and especially that application of it which has given us the wonders of the stereoscope, is not so easily, completely, universally recognized in all the immensity of its applications and suggestions. The stereoscope, and the pictures it gives, are, however, common enough to be in the hands of many of our readers; and as many of those who are not acquainted with it must before long become as familiar with it as they are now with friction-matches, we feel sure that a few pages relating to it will not be unacceptable.

Our readers may like to know the outlines of the process of making daguerreotypes and photographs, as just furnished us by Mr. Whipple, one of the most successful operators in this country. We omit many of those details which are everything to the practical artist, but nothing to the general reader. We must premise, that certain substances undergo chemical alterations, when exposed to the light, which produce a change of color. Some of the compounds of silver possess this faculty to a remarkable degree,-as the common indelible marking-ink, (a solution of nitrate of silver,) which soon darkens in the light, shows us every day. This is only one of the innumerable illustrations of the varied effects of light on color. A living plant owes its brilliant hues to the sunshine; but a dead one, or the tints extracted from it, will fade in the same rays which clothe the tulip in crimson and gold,—as our lady-readers who have rich curtains in their drawing-rooms know full well. The sun, then, is a master of chiaroscuro, and, if he has a living petal for his pallet, is the first of colorists.-Let us walk into

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