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abstract acting action actor admirable appear artist audience Belshazzar's Feast character CHARLES LAMB Cobbler colour comedy comic Congreve crowd curtain delight Dodd downright dramatic dramatist dream dress effect Elliston expression fancy fashion feeling figures Garrick gentleman ghost give groundlings Hamlet honour humour idea illusion imagination imitation interest Jack Palmer King lady Lamb Lamb points Lamb's Lear look Lord Love for Love Macbeth Malvolio manner mind Miss Miss Kelly modern moral Munden nature never Othello painted passion performer person piece play player pleasant pleasure poetical present principle reading Robert William Elliston Romeo Romeo and Juliet scene scenery scenic seems seen sense Shakspeare Shakspeare's sort speak spectators spirit stage story strange street supposed Tamburlaine theatre thing thou thought tion tone tragedy true truth Twelfth Night utter vulgar whole WILLIAM ROWLEY words
Página 132 - Kent. Vex not his ghost. O, let him pass! He hates him That would upon the rack of this tough world Stretch him out longer.
Página 37 - In the same hour came forth fingers of a man's hand, and wrote over against the candlestick upon the plaster of the wall of the king's palace: and the king saw the part of the hand that wrote. Then the king's countenance was changed, and his thoughts troubled him, so that the joints of his loins were loosed, and his knees smote one against another.
Página 15 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand.
Página 21 - ... from the ordinary purposes of life, but exerting its powers, as the wind blows where it listeth, at will upon the corruptions and abuses of mankind. What have looks, or tones, to do with that sublime identification of his age with that of the heavens themselves, when in his reproaches to them for conniving at the injustice of his children, he reminds them that
Página 20 - The greatness of Lear is not in corporal dimension, but in intellectual; the explosions of his passion are terrible as a volcano - they are storms turning up and disclosing to the bottom that sea, his mind, with all its vast riches. It is his mind which is laid bare. This case of flesh and blood seems too insignificant to be thought on, even as he himself neglects it.
Página 118 - I do not know where to find, in any play, a catastrophe so grand, so solemn, and so surprising as in this. This is indeed, according to Milton, to describe high passions and high actions.
Página 37 - BELSHAZZAR the king made a great feast to a thousand of his lords, and drank wine before the thousand. Belshazzar, whiles he tasted the wine, commanded to bring the golden and silver vessels which his father Nebuchadnezzar had taken out of the temple which was in Jerusalem; that the king, and his princes, his wives, and his concubines, might drink therein.
Página 39 - Then spake Joshua to the LORD in the day when the LORD delivered up the Amorites before the children of Israel, and he said in the sight of Israel, Sun, stand thou still upon Gibeon; and thou Moon, in the valley of Ajalon.
Página 16 - Desiring this man's art, and that man's scope, With what I most enjoy contented least ; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state (Like to the lark at break of day arising From sullen earth) sings hymns at heaven's gate...
Página 165 - I could not tell how — I had left the temple a devotee, and was returned a rationalist. The same things were there materially; but the emblem, the reference, was gone ! The green curtain was no longer a veil, drawn between two worlds, the unfolding of which was to bring back past ages to present a 'royal ghost...