that the two Figures represent but one person. The hand descends slowly after the word head, and comes to rest upon the word valley. Away-away! and lay thy head LESSON CXLVIII. ADAMS AND JEFFERSON.—EVERETT. THEY have gone to the companions of their cares, of their toils. It is well with them. These treasures of America are now in Heaven. How long the list of our good and wise and brave assembled there! how few remain with us! There is our Washington; and those who followed him in their country's confidence, are now met together with him, and all that illustrious company. The faithful marble may preserve their image; the engraven brass may proclaim their worth; but the humblest sod of Independent America, with nothing but the dew-drops of the morning to gild it, is a prouder mausoleum than kings or conquerors can boast. The country is their monument. Its independence is their epitaph. But not to their country is their praise limited. The whole earth is the monument of illustrious men. Wherever an agonizing people shall perish, in a generous convulsion, for want of a valiant arm and a fearless heart, they will cry, the last accents of despair, Oh, for a Washington, an Adams, a Jefferson! Wherever a regenerated nation, starting up in its might, shall burst the links of steel that enchain it, the praise of our fathers shall be the prelude of their triumphal song. The contemporary and successive generations of men will disappear. In the long lapse of ages, the tribes of America, like those of Greece and Rome, may pass away. The fabric of American freedom, like all things human, however firm and fair, may crumble into dust. But the cause in which these our fathers shone, is immortal. They did that, to which no age, no people of reasoning men, can be indifferent. Their eulogy will be uttered in other languages, when those we speak, like us who speak them, shall all be forgotten. And when the great account of humanity shall be closed at the throne of God, in the bright list of his children, who best adorned and served it, shall be found the names of our Adams and our Jefferson. LESSON CXLIX. PLEA OF THE RED INDIAN.-ANONYMOUS. OH! why should the white man hang on my path, Does the flesh of my dark cheek waken his wrath? He has rivers and seas, where the billow and breeze And the sons of the wood never plunge in the flood Then why should he covet the streams where none Oh! why should he wrong the hunter, one The Father above thought fit to give To the white man corn and wine; There are golden fields where he may live— The eagle has its place of rest— The wild horse where to dwell; THE first of these figures exhibits a beautiful suspending gesture, made upon the first word back, by bringing the hands up rapidly and crossed, with spread fingers. The second Figure, an emphatic, significant gesture, made upon the second word back, by striking out the hands, spiritedly, in nearly a horizontal line; the hands come to rest after the word red. Then back, go | back, from the red) skin's track, To find that the white man wrongs the one LESSON CL. BEHIND AND BEFORE.-AUTHOR OF ' Pen and Ink SKETCHES BEFORE and behind before and behind! "Twere well if we often felt inclined That are pregnant with joy or sorrow : Many a tale of weal or of wo This brace of significant syllables show, For instance-look at the gaudy screen, With its cheek of bloom, and its lip of rose Before and behind! behind and before!" I had health and wealth and a right good name, Before the screen I'd a purse well lined→→ Behind it, my money went day by day, And shrieked out my mirthless laughter Behind, behind, and nothing before Before the bar but behind the times; Behindhand when little ones cried for bread; Trouble and turmoil, and torture and gloom! Behindhand, when Sabbath bells stirred the air; The incense of praise, and the voice of prayer, Before the Judge; and before one knows, As instalments of Satan's wages. Behindhand always, and want before, no more!" For the Rumseller never chalks up a score, No eye to pity-no hand to save, As the victim is tossed upon misery's wave, Leaving nothing behind when he seeks the grave, But the tale of a tragedy ended. Behind his coffin no mourners go, And when the clods on his corse they throw, Oh I never felt so behind before, Said he, as he turned from the bar-room door; Behind-oh! the drink has left nothing behind, But I'll quit the cup, and no more be seen Have a sun-bright path before me |