Horae Lyricae and Divine Songs: With A Memoir (1854)

Portada
Kessinger Publishing, 2009 - 460 páginas
Horae Lyricae And Divine Songs: With A Memoir is a book written by Isaac Watts and originally published in 1854. The book is a collection of religious hymns and songs that were written by Watts, who was a prominent English theologian and hymn writer in the 18th century. The hymns and songs in this book are divided into various categories, including psalms, hymns, and spiritual songs. The book also includes a memoir of Watts' life, which provides insight into his personal and professional journey as a writer and theologian. The memoir covers his childhood, his education, his religious beliefs, and his contributions to the field of hymn writing. Overall, Horae Lyricae And Divine Songs: With A Memoir is a valuable resource for anyone interested in religious hymns and songs, as well as the life and work of Isaac Watts. The book provides a glimpse into the mind and heart of this influential theologian and hymn writer, and offers readers a chance to reflect on the spiritual themes and messages conveyed in his work.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Otras ediciones - Ver todas

Acerca del autor (2009)

Isaac Watts, 1674 - 1748 English theologian Issac Watts was born in Southampton in 1674. He was educated at an academy of Dissenters at Stoke Newington, which is now part of London. He spent many years as a tutor, preacher, and assistant pastor and in 1702, became minister of a Dissenting church in London. Watts wrote books on theological subjects, such as "Scripture History" (1732), and a collection of religious poems titled "Horae Lyricae" (1706). He also published two hymn collections, "Hymns" (1707; 2nd edition 1709), and "The Psalms of David" (1719). Among his hymns still sung are "When I Survey the Wondrous Cross" and "O God, Our Help in Ages Past." Robert Southey was born on August 12, 1774. In 1788, Southey entered the Westminster school at the expense of his uncle. One year after his admission to Westminster, the French Revolution began. Southey was fifteen years old at the time, and like many young people of his day, he passionately sympathized with the high ideals of the French cause. During these years, Southey befriended both Charles W. W. Wynn and Grosvenor Charles Bedford. Bedford and Wynn began a publication in 1792, The Flagellant, which Southey later joined as writer and co-editor. He submitted an anonymous article on "Flogging," in which he claimed that the school's disciplinary practice of flogging students was satanic. Dr. Vincent, the headmaster at the school, viewed the essay not as the product of a boy's imagination, but as a direct attack on both the school and the British Constitution. Eventually, Southey came forward and offered his apology, but was nonetheless expelled from school. Southey was of course then refused admission at Christ Church and had to attend Balliol College at Oxford. In order to escape life at Oxford and postpone making his decision to join the clergy, Southey took some time off from school in the autumn of 1793. Southey eventually left Oxford after his second term to be married. Shortly after leaving, he crossed paths with Samuel Taylor Coleridge, with whom he formed a friendship which would mold his early life and continue until his later years. In 1794, Southey, Coleridge, and several mutual friends came up with the idea of "Pantisocracy," or "equal rule of all." Their goal was to emigrate to America to practice Pantisocracy by forming a communal, utopian settlement where everyone would live in harmony and brotherhood. In order to raise money for this, Southey and Coleridge joined to write drama and political propaganda, and to write and deliver weekly lectures on politics and history. At this time, they co-wrote the drama entitled "The Fall of Robespierre," which was published by a radical printer at Cambridge under Coleridge's name. This same year Southey wrote Wat Tyler, based on the Peasant's Revolt of 1381. Unfortunately, Wat Tyler was not published, the scheme to emigrate to America to practice "Pantisocracy" never came to fruition, and his friendship with Coleridge became increasingly strained. The relationship deteriorated further when Coleridge and his wife began having marital difficulties. Coleridge eventually left his wife and Southey was forced to support both families. Southey then accepted Charles Wynn's offer to set up an annuity for him if he would study law. Southey began to study law by day and write poetry and prose at night. He drifted entirely away from his legal studies and began to concentrate solely on his writing. Between 1796 and 1805 Southey wrote Joan of Arc: An Epic Poem, Thalaba the Destroyer, Madoc, and several volumes of shorter verse. He also wrote numerous ballads, made frequent contributions to The Monthly Magazine and published the popular Letters Written During a Short Residence in Spain and Portugal. After several years of estrangement from Coleridge, the two poets collaborated on the Devil's Walk in 1799. Although Southey remained a champion of the poor and became an outspoken adversary of slavery, he began to cherish the maintenance of social order. After becoming an outspoken member of the Tory party, Southey's changing views led him to accept a position as Britain's Poet Laureate in 1813, a position that he held for 30 years. Twenty-three years after Wat Tyler was written, it suddenly resurfaced into a highly charged political atmosphere in which an older, more conservative Southey was at the forefront. Upon learning that Southey was the author, his adversaries, such as William Hazlitt and William Smith, seized upon the play as an example of his hypocrisy, while his friends, Wynn, Coleridge, and Wordsworth, defended him vehemently. Despite the effects of Wat Tyler's appearance on Southey's reputation, it sold over 60,000 copies and was reprinted, making it one of his most well-read and commercially successful works. Southey eventually incorporated the play into his complete works in 1838. Although the reappearance of the poem forced Southey to confront the dissipation of his youthful ideals, it did not significantly affect his career as an esteemed poet and writer. Southey remained Poet Laureate of Britain for 30 years, and eventually died in 1843.

Información bibliográfica