The Globe Theatre Project: Shakespeare and AuthenticityEdwin Mellen Press, 2006 - 283 páginas This book analyzes performances at the reconstructed Globe Theatre in London between 1996 and 2004 by focusing on the new Globe's most defining characteristic: authenticity. The book addresses the question of why authenticity has become so crucial in late 20th and early 21st century Britain and what productions of the authentic Shakespeare say about contemporary identities. |
Dentro del libro
Resultados 1-3 de 24
Página 30
... carnival seems almost prescriptive of Grupo Galpão's performance at the Globe ; In Bakhtin's reading of carnival , the social effervescence and the energy generated by a radical popular will to otherness is not simply recaptured for the ...
... carnival seems almost prescriptive of Grupo Galpão's performance at the Globe ; In Bakhtin's reading of carnival , the social effervescence and the energy generated by a radical popular will to otherness is not simply recaptured for the ...
Página 111
... carnival , which ' celebrates the anarchic , body - based and grotesque elements of popular culture , and seeks to mobilise them against the humourless seriousness of official culture . ' Dentith further describes the carnival as a ...
... carnival , which ' celebrates the anarchic , body - based and grotesque elements of popular culture , and seeks to mobilise them against the humourless seriousness of official culture . ' Dentith further describes the carnival as a ...
Página 113
... carnival counterpart , the grotesque , suggests the potency of the new Globe groundlings as a key site of carnivalesque activity . He recommends thinking of the contrast between the sweaty bodies of a living carnival crowd as against ...
... carnival counterpart , the grotesque , suggests the potency of the new Globe groundlings as a key site of carnivalesque activity . He recommends thinking of the contrast between the sweaty bodies of a living carnival crowd as against ...
Contenido
Two productions unalike authentically | 11 |
Disciplining the Fool for the Complete Performance | 26 |
Authentic Audiences | 40 |
Derechos de autor | |
Otras 20 secciones no mostradas
Términos y frases comunes
academic actors African Amintor Andrew Gurr anti-authenticity Antony and Cleopatra arguably argues audience authentic brief authentic productions authentic Shakespeare Bellafront Benedict Nightingale binary boom boom Caliban Cambridge carnival celebrated chapter character characterised colonial construction contemporary context critics cultural Cymbeline dance describes discourse Drama early modern Evadne experience explore female focused football further gender Globe production Globe Season Globe-to-Globe groundlings Gurr's Hippolyto Honest Whore hybridity identity ideological inauthentic interview Jaq Bessell Kathakali King Lear laughter London Loomba Macbeth Maid's Tragedy male Mark Rylance masculinity Matheo McLuskie Melantius Michael notion offered original practices perhaps political popular post-colonial Post-Colonial Studies Reader present production of Henry production's Prospero reconstruction representation represented Research Bulletin response reveal reviewers Richard role Romeu e Julieta Routledge scene sexuality Shakespeare Performances Shakespeare's Globe Shakespeare's plays Shakespeare's universalism Shylock space specific stage stereotype subjectivity suggests syncretism Tempest Tempestad textual Theatre Record theatrical tragedy Twelfth Night uMabatha writes
Referencias a este libro
The Cambridge Companion to Shakespeare and Popular Culture Robert Shaughnessy Vista previa limitada - 2007 |