Beethoven Forum 4U of Nebraska Press, 1996 M02 1 - 202 páginas Representing the wide range of approaches that enrich the understanding and appreciation of Beethoven and his interpreters, the second volume in this series features research, criticism, and performers' commentary by nine scholars including Michael C. Tusa, Tia Denora, Lawrence Earp, Lewis Lockwood, William Drabkin, and Kevin Korsyn. Additionally, independent appraisals of Carl Dahlhaus's important Ludwig van Beethoven und seine Zeit are provided by Hermann Danuser, John Daverio, and James Webster. |
Contenido
List of Abbreviations | 1 |
KNITTEL | 17 |
JANET SCHMALFELDT | 37 |
THOMAS SIPE | 73 |
RICHARD TARUSKIN | 97 |
Florestan Reading Fidelio | 135 |
WILLIAM ROTHSTEIN | 165 |
Contributors | 195 |
201 | |
Otras ediciones - Ver todas
Términos y frases comunes
accents Adagio Adorno aesthetic Allegro Andante appears aria arpeggiation bass become Beetho Beethoven Forum Beethoven's music beginning biography Brahms Breitkopf and Härtel Burnham cadence cadential Cambridge cited composer composer's composition concept context continuity draft cresc Czerny Dahlhaus Dahlhaus's discussed division downbeat dramatic Eroica Essays Example exposition Fétis Fidelio Fifth Symphony final score final version Florestan formal four-measure Griepenkerl harmonic Haydn Hegel humor hypermeasure hypermeter idea Idomeneo interpretation Jean Paul Joseph Kerman Kerman Lear Leipzig Lenz Leonora Ludwig van Beethoven Marx Marx's Maynard Solomon measures melody metaphorical metrical motive movt.I Mozart Musik passage Pastoral Symphony phrase Piano Sonata Presto recapitulation rhythm rhythmic Robert Schumann Schenker Schering scherzo scherzo section Schindler Schlosser Schoenberg Schumann shadow hypermeter shadow meter Shakespeare sketchbook sketches sonata form structure style periods syncopation theme Theory third movement third period three styles tion tonal tonic Tovey trans trio 1-D Vienna Wagner