Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2000 M11 9 - 494 páginas Theatre of the Book is an account of the entangled histories of print and the theatre in Europe between the Renaissance and the late nineteenth century: a history of European dramatic publication (providing comparative and historical perspective to the growing field of textual studies); an examination of the creation of the modern notion of text and performance; and a comparative genealogy of ideas about theatrical and textual reception. It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of 'theatre' as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's continual refashioning of itself in the world of print. |
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Página 2
... chapters that follow offer an account of the entangled histories of print and the modern stage, addressing the meaning of ... chapter in the cultural history of communication, in how writing gets turned into action and how action gets ...
... chapters that follow offer an account of the entangled histories of print and the modern stage, addressing the meaning of ... chapter in the cultural history of communication, in how writing gets turned into action and how action gets ...
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... chapters that follow I have (out of an aesthetic preference for historical narrative that has fully assimilated its meta-narrative) left out further discussion of the theoretical and methodological concerns that have informed my study ...
... chapters that follow I have (out of an aesthetic preference for historical narrative that has fully assimilated its meta-narrative) left out further discussion of the theoretical and methodological concerns that have informed my study ...
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... Chapter , “Experimenting on the Page ‒ ,” describes the creation of typographic conventions for the drama and the relations among theatrical troupes, dramatists, and publishers during the period of the establishment of ...
... Chapter , “Experimenting on the Page ‒ ,” describes the creation of typographic conventions for the drama and the relations among theatrical troupes, dramatists, and publishers during the period of the establishment of ...
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... Chapter 6, “Accurate Texts, Authoritative Editions,” explores the mutual constitution of the “accurate edition,” the individuated dramatic author, and the author's “original,” monumentalized in the grand collected edition of the ...
... Chapter 6, “Accurate Texts, Authoritative Editions,” explores the mutual constitution of the “accurate edition,” the individuated dramatic author, and the author's “original,” monumentalized in the grand collected edition of the ...
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... Chapter , “Actor/Author,” describes the role of print in the creation of the actor as author of the scene—paradigm of social role-playing, prototype for the changeling self as subject. Chapter , “A Theatre Too Much With Us ...
... Chapter , “Actor/Author,” describes the role of print in the creation of the actor as author of the scene—paradigm of social role-playing, prototype for the changeling self as subject. Chapter , “A Theatre Too Much With Us ...
Contenido
1 | |
11 | |
13 | |
THEATRE IMPRIMATUR | 91 |
THE SENSES OF MEDIA | 145 |
THE COMMERCE OF LETTERS | 201 |
THEATRICAL IMPRESSIONS | 255 |
Epilogue | 308 |
Notes | 313 |
Works Cited | 444 |
Index | 487 |
Otras ediciones - Ver todas
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Vista previa limitada - 2003 |
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Vista de fragmentos - 2000 |
Términos y frases comunes
acting action actors aesthetic attempt Beaumont and Fletcher become beginning body century Chapter characters claims classical collection Comedies Complete continued contract copies Corneille corrected create critics culture dedication describes directions discussion distinction drama dramatic dramatists early edition eighteenth English explains expression fact figures French gesture give hand identified illustrations imagination imitation important instance Italy John Jonson kind language late later learned letters Library literary living managers manuscript means narrative nature notes offer once original performance period Plautus plays playwrights poem poet poetic poetry preface printed printers production published readers reading reflected Renaissance represented scene scenic seemed seen senses seventeenth Shakespeare similarly space spectators speech stage theatre theatrical things Thomas tion tragedy trans translation various voice writes written