Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe

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Oxford University Press, 2000 M11 9 - 494 páginas
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Theatre of the Book is an account of the entangled histories of print and the theatre in Europe between the Renaissance and the late nineteenth century: a history of European dramatic publication (providing comparative and historical perspective to the growing field of textual studies); an examination of the creation of the modern notion of text and performance; and a comparative genealogy of ideas about theatrical and textual reception. It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of 'theatre' as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's continual refashioning of itself in the world of print.

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Introduction
1
Note on Editions Spellings Translations and Citations
11
PRINTING THE DRAMA
13
THEATRE IMPRIMATUR
91
THE SENSES OF MEDIA
145
THE COMMERCE OF LETTERS
201
THEATRICAL IMPRESSIONS
255
Epilogue
308
Notes
313
Works Cited
444
Index
487
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