“The” Works of Shakespeare, Volumen33Methuen, 1904 |
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Página xxxv
... turn against them when they offend him . In regard to his real or feigned madness , Titus has points of resemblance to both Lear and Hamlet . That his madness , like Hamlet's , was mainly assumed , I think there can be no doubt ; for ...
... turn against them when they offend him . In regard to his real or feigned madness , Titus has points of resemblance to both Lear and Hamlet . That his madness , like Hamlet's , was mainly assumed , I think there can be no doubt ; for ...
Página xxxix
... turn to the only other character of absolutely first importance in the drama , Aaron the Moor . Now , in the character of Aaron , Shakespeare seems to have made a great , if only partially successful , attempt to humanise the ordinary ...
... turn to the only other character of absolutely first importance in the drama , Aaron the Moor . Now , in the character of Aaron , Shakespeare seems to have made a great , if only partially successful , attempt to humanise the ordinary ...
Página xlvi
... turns on this point , as does the denouement in Titus Andronicus . For it is the diabolic skill with which Iago works this point with Othello that more than any- thing else persuades him of Desdemona's unfaithfulness . It is proverbial ...
... turns on this point , as does the denouement in Titus Andronicus . For it is the diabolic skill with which Iago works this point with Othello that more than any- thing else persuades him of Desdemona's unfaithfulness . It is proverbial ...
Página lxiv
... turn from their evil ways ; but in his tragedies , as a rule , following his own powerful first sketch of the " Death of the wicked man , " Cardinal Beaufort , who " dies and gives no sign , " Shakespeare usually lets his bad characters ...
... turn from their evil ways ; but in his tragedies , as a rule , following his own powerful first sketch of the " Death of the wicked man , " Cardinal Beaufort , who " dies and gives no sign , " Shakespeare usually lets his bad characters ...
Página lxv
... turn to Midsummer Night's Dream , we find Egeus possessing power of life and death over Hermia under similar circumstances . That Shakespeare thought Titus justified in his rash action , there is no reason to think , and there is no ...
... turn to Midsummer Night's Dream , we find Egeus possessing power of life and death over Hermia under similar circumstances . That Shakespeare thought Titus justified in his rash action , there is no reason to think , and there is no ...
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Términos y frases comunes
Aaron Alarbus Bassianus blood brother character Chaucer child Chiron clown Coriolanus Cymbeline death deed Demetrius Dict dost doth dramatic dramatist Elizabethan emperor empress Enter Exeunt eyes father favour friends gentle give Goths gracious Hamlet hand hath heart heaven Henry Henry VI honour horrible hunt Iago Julius Cæsar kill Lady Lavinia Lear live lord Love's Labour's Lost Lucius Lucrece lust Macbeth Marc Marcus Marlowe means modern Moor moral murder Mutius noble Othello passion Philomela play plot Publius queen Quint rape Ravenscroft repent revenge revolting Richard Richard III Roman Rome Rome's Romeo Romeo and Juliet Saturninus scene seems sense Shake Shakespeare Shakespeare's authorship Shakespearian Sonnets sons sorrow Spanish Tragedy speak speare speare's speech Steevens story sweet Tamora tears Tereus thee thine thou hast Titus Andronicus tongue tragedy tribunes verse villain word writing ΙΟ
Pasajes populares
Página xliv - Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O, no ! it is an ever-fixed mark, That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken.