“The” Works of Shakespeare, Volumen33Methuen, 1904 |
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Página xvii
... speak , to have revelled . King Lear is one of the best examples of this , when he has Lear and Gloucester , Cordelia and Edgar , Edmund and Regan and Goneril in pairs or groups , in which strong resemblances are mingled with subtle ...
... speak , to have revelled . King Lear is one of the best examples of this , when he has Lear and Gloucester , Cordelia and Edgar , Edmund and Regan and Goneril in pairs or groups , in which strong resemblances are mingled with subtle ...
Página xxvi
... speak of 1 It does not seem to have been generally observed that the story of Lavinia was familiar to Chaucer . See The Legend of Good Women , line 211 earlier ver- sion , 257 later version ( Skeat's Student's Chaucer ) . the pie ...
... speak of 1 It does not seem to have been generally observed that the story of Lavinia was familiar to Chaucer . See The Legend of Good Women , line 211 earlier ver- sion , 257 later version ( Skeat's Student's Chaucer ) . the pie ...
Página xxxii
... speak , and hurries them away . She feels , I take it , the woman in her revolt , as it often will do , to the side of her own sex . Women are proverbially hard on each other , and yet sometimes , quite unexpectedly , they make common ...
... speak , and hurries them away . She feels , I take it , the woman in her revolt , as it often will do , to the side of her own sex . Women are proverbially hard on each other , and yet sometimes , quite unexpectedly , they make common ...
Página lv
... two victims are not only securely bound hand and foot , but gagged , so as to be unable to speak or to use their mouths and teeth , as they might otherwise have done . So that to a powerful , if aged , man like INTRODUCTION lv.
... two victims are not only securely bound hand and foot , but gagged , so as to be unable to speak or to use their mouths and teeth , as they might otherwise have done . So that to a powerful , if aged , man like INTRODUCTION lv.
Página lxi
... speak , of course , of Tragedy , and not of Comedy , where these severe sentences cannot , in the nature of things , be carried out . ] In the present play , for instance , he gives Tamora as much excuse and sympathy as it is possible ...
... speak , of course , of Tragedy , and not of Comedy , where these severe sentences cannot , in the nature of things , be carried out . ] In the present play , for instance , he gives Tamora as much excuse and sympathy as it is possible ...
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Términos y frases comunes
Aaron Alarbus Bassianus blood brother character Chaucer child Chiron clown Coriolanus Cymbeline death deed Demetrius Dict dost doth dramatic dramatist Elizabethan emperor empress Enter Exeunt eyes father favour friends gentle give Goths gracious Hamlet hand hath heart heaven Henry Henry VI honour horrible hunt Iago Julius Cæsar kill Lady Lavinia Lear live lord Love's Labour's Lost Lucius Lucrece lust Macbeth Marc Marcus Marlowe means modern Moor moral murder Mutius noble Othello passion Philomela play plot Publius queen Quint rape Ravenscroft repent revenge revolting Richard Richard III Roman Rome Rome's Romeo Romeo and Juliet Saturninus scene seems sense Shake Shakespeare Shakespeare's authorship Shakespearian Sonnets sons sorrow Spanish Tragedy speak speare speare's speech Steevens story sweet Tamora tears Tereus thee thine thou hast Titus Andronicus tongue tragedy tribunes verse villain word writing ΙΟ
Pasajes populares
Página xliv - Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O, no ! it is an ever-fixed mark, That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken.