“The” Works of Shakespeare, Volumen33Methuen, 1904 |
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Página xi
... scene of Act III . , in which Marcus kills a fly , and Titus , in real or affected madness , makes his extraordinary commentary thereupon . Now , what may we reasonably infer from these facts ? First , that the play had been already ...
... scene of Act III . , in which Marcus kills a fly , and Titus , in real or affected madness , makes his extraordinary commentary thereupon . Now , what may we reasonably infer from these facts ? First , that the play had been already ...
Página xxiv
... scene between Arthur and Hubert in King John , of the murders of Duncan , Banquo , Richard II . , and Clarence , of the slaughter of young Rutland and Edward , and young Macduff , of the holocausts of victims in that and every tragedy ...
... scene between Arthur and Hubert in King John , of the murders of Duncan , Banquo , Richard II . , and Clarence , of the slaughter of young Rutland and Edward , and young Macduff , of the holocausts of victims in that and every tragedy ...
Página xxviii
... scene is the original work of Shakespeare , but that his genius and character is impressed in immature but unmis- takable manner on the drama as a whole . For the idea that the plot of the play is a piece of pure invention on the part ...
... scene is the original work of Shakespeare , but that his genius and character is impressed in immature but unmis- takable manner on the drama as a whole . For the idea that the plot of the play is a piece of pure invention on the part ...
Página xxxi
... scene when she tries to personate Revenge , Tamora's character is magnificently handled . Lustful and ferocious as she is , she has a quality of greatness , such as perhaps only Shakespeare can impart to his wicked women . Her first ...
... scene when she tries to personate Revenge , Tamora's character is magnificently handled . Lustful and ferocious as she is , she has a quality of greatness , such as perhaps only Shakespeare can impart to his wicked women . Her first ...
Página xxxii
... scene where Lavinia appeals to her to save her by death from the violence of her ruffian sons , it is obvious that ... scenes , in which Tamora appears at such disadvantage , it may be that the author intentionally illustrated , what I ...
... scene where Lavinia appeals to her to save her by death from the violence of her ruffian sons , it is obvious that ... scenes , in which Tamora appears at such disadvantage , it may be that the author intentionally illustrated , what I ...
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Términos y frases comunes
Aaron Alarbus Bassianus blood brother character Chaucer child Chiron clown Coriolanus Cymbeline death deed Demetrius Dict dost doth dramatic dramatist Elizabethan emperor empress Enter Exeunt eyes father favour friends gentle give Goths gracious Hamlet hand hath heart heaven Henry Henry VI honour horrible hunt Iago Julius Cæsar kill Lady Lavinia Lear live lord Love's Labour's Lost Lucius Lucrece lust Macbeth Marc Marcus Marlowe means modern Moor moral murder Mutius noble Othello passion Philomela play plot Publius queen Quint rape Ravenscroft repent revenge revolting Richard Richard III Roman Rome Rome's Romeo Romeo and Juliet Saturninus scene seems sense Shake Shakespeare Shakespeare's authorship Shakespearian Sonnets sons sorrow Spanish Tragedy speak speare speare's speech Steevens story sweet Tamora tears Tereus thee thine thou hast Titus Andronicus tongue tragedy tribunes verse villain word writing ΙΟ
Pasajes populares
Página xliv - Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O, no ! it is an ever-fixed mark, That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken.