“The” Works of Shakespeare, Volumen33Methuen, 1904 |
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Página xxvii
... of them . What Shakespeare worked for was a " moral resultant , " and if anyone dare allege that any play of Shakespeare's , properly studied , leaves him or her " } The worse than it found them , I will undertake to INTRODUCTION xxvii.
... of them . What Shakespeare worked for was a " moral resultant , " and if anyone dare allege that any play of Shakespeare's , properly studied , leaves him or her " } The worse than it found them , I will undertake to INTRODUCTION xxvii.
Página xli
... moral distinctions , a phenomenon exemplified in The Prince of Machiavelli , which itself became a sort of Devil's ... morally revolting , in his notes to Kenilworth represents Leicester as highly skilled in Renaissance iniquities , as a ...
... moral distinctions , a phenomenon exemplified in The Prince of Machiavelli , which itself became a sort of Devil's ... morally revolting , in his notes to Kenilworth represents Leicester as highly skilled in Renaissance iniquities , as a ...
Página xlv
... morality plays , was bound , as such , to excite in some way the contempt , as well as the reprobation , of the audience ... moral courage , with his fame and maturity of power , that he ventured to make Othello a hero , and to put ...
... morality plays , was bound , as such , to excite in some way the contempt , as well as the reprobation , of the audience ... moral courage , with his fame and maturity of power , that he ventured to make Othello a hero , and to put ...
Página li
... moral resultant , i.e. the production of that state of awe and pity which Aristotle so finely says is , and should be , the outcome of the best tragedy . Still we feel that he treats with a particular affection some of the milder and ...
... moral resultant , i.e. the production of that state of awe and pity which Aristotle so finely says is , and should be , the outcome of the best tragedy . Still we feel that he treats with a particular affection some of the milder and ...
Página lvi
... versification , in the power of character discrimination , nor with regard to the " moral resultant , " do the two plays , despite some similarities in the story , seriously resemble each other . For , if we are to go upon lvi INTRODUCTION.
... versification , in the power of character discrimination , nor with regard to the " moral resultant , " do the two plays , despite some similarities in the story , seriously resemble each other . For , if we are to go upon lvi INTRODUCTION.
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Términos y frases comunes
Aaron Alarbus Bassianus blood brother character Chaucer child Chiron clown Coriolanus Cymbeline death deed Demetrius Dict dost doth dramatic dramatist Elizabethan emperor empress Enter Exeunt eyes father favour friends gentle give Goths gracious Hamlet hand hath heart heaven Henry Henry VI honour horrible hunt Iago Julius Cæsar kill Lady Lavinia Lear live lord Love's Labour's Lost Lucius Lucrece lust Macbeth Marc Marcus Marlowe means modern Moor moral murder Mutius noble Othello passion Philomela play plot Publius queen Quint rape Ravenscroft repent revenge revolting Richard Richard III Roman Rome Rome's Romeo Romeo and Juliet Saturninus scene seems sense Shake Shakespeare Shakespeare's authorship Shakespearian Sonnets sons sorrow Spanish Tragedy speak speare speare's speech Steevens story sweet Tamora tears Tereus thee thine thou hast Titus Andronicus tongue tragedy tribunes verse villain word writing ΙΟ
Pasajes populares
Página xliv - Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O, no ! it is an ever-fixed mark, That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken.