“The” Works of Shakespeare, Volumen33Methuen, 1904 |
Dentro del libro
Resultados 1-5 de 25
Página ix
... mind displayed in his greater plays ; whereas the argument against his having written this particular play is entirely founded on what we moderns conceive to be its faults . The Baconian would think - if one dare guess at Baconian ...
... mind displayed in his greater plays ; whereas the argument against his having written this particular play is entirely founded on what we moderns conceive to be its faults . The Baconian would think - if one dare guess at Baconian ...
Página x
... mind , of one who not only was one of the greatest , if not the greatest , of all Poets , but also the Prince of Playwrights or Dramatists , and certainly the greatest exponent and creator of human character in all Literature . I ...
... mind , of one who not only was one of the greatest , if not the greatest , of all Poets , but also the Prince of Playwrights or Dramatists , and certainly the greatest exponent and creator of human character in all Literature . I ...
Página xiv
... mind , though curious , close enough to establish a case of imitation on Shakespeare's part . His most important parallelisms really amount to little more than phrases , which might have come from some common source , or might be ...
... mind , though curious , close enough to establish a case of imitation on Shakespeare's part . His most important parallelisms really amount to little more than phrases , which might have come from some common source , or might be ...
Página xxi
... mind does not change so much as all that , and the world has always been made up of persons credulous and persons sceptical , and perhaps still more of people as sceptical in one direction as they were credulous in another . All so ...
... mind does not change so much as all that , and the world has always been made up of persons credulous and persons sceptical , and perhaps still more of people as sceptical in one direction as they were credulous in another . All so ...
Página xxvii
... mind , as we see from the play itself , to devote his utmost poetic powers - which he then regarded with infinitely greater reverence than he did his dramatic powers - to writing The Rape of Lucrece ? If Shakespeare thought this subject ...
... mind , as we see from the play itself , to devote his utmost poetic powers - which he then regarded with infinitely greater reverence than he did his dramatic powers - to writing The Rape of Lucrece ? If Shakespeare thought this subject ...
Otras ediciones - Ver todas
Términos y frases comunes
Aaron Alarbus Bassianus blood brother character Chaucer child Chiron clown Coriolanus Cymbeline death deed Demetrius Dict dost doth dramatic dramatist Elizabethan emperor empress Enter Exeunt eyes father favour friends gentle give Goths gracious Hamlet hand hath heart heaven Henry Henry VI honour horrible hunt Iago Julius Cæsar kill Lady Lavinia Lear live lord Love's Labour's Lost Lucius Lucrece lust Macbeth Marc Marcus Marlowe means modern Moor moral murder Mutius noble Othello passion Philomela play plot Publius queen Quint rape Ravenscroft repent revenge revolting Richard Richard III Roman Rome Rome's Romeo Romeo and Juliet Saturninus scene seems sense Shake Shakespeare Shakespeare's authorship Shakespearian Sonnets sons sorrow Spanish Tragedy speak speare speare's speech Steevens story sweet Tamora tears Tereus thee thine thou hast Titus Andronicus tongue tragedy tribunes verse villain word writing ΙΟ
Pasajes populares
Página xliv - Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O, no ! it is an ever-fixed mark, That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken.